By combining musical styles young people loved with the wholesomeness their parents wanted, Contemporary Christian Music (CCM) became a multimillion-dollar industry. In this book, author Leah Payne traces the history of contemporary Christian music in America and, in the process, demonstrates how the industry, its artists, and its fans shaped--and continue to shape--conservative, (mostly) white, Protestant evangelicalism.
By combining musical styles young people loved with the wholesomeness their parents wanted, Contemporary Christian Music (CCM) became a multimillion-dollar industry. In this book, author Leah Payne traces the history of contemporary Christian music in America and, in the process, demonstrates how the industry, its artists, and its fans shaped--and continue to shape--conservative, (mostly) white, Protestant evangelicalism.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Leah Payne is Associate Professor of American Religious History at Portland Seminary. She is also a 2022-2023 Public Fellow at the Public Religion Research Institute (PRRI), and her research has been supported by the Louisville Institute and the Wabash Center for Teaching in Theology and Religion. Her first book, Gender and Pentecostal Revivalism: Making a Female Ministry in the Early Twentieth Century, won the Pneuma: The Journal of the Society for Pentecostal Studies 2016 Book Award. Payne's work analyzing religion, politics, and popular culture has appeared in The Washington Post, NBC News, Religion News Service, and Christianity Today. She is also co-host of Weird Religion, a podcast about religion and popular culture, and Rock That Doesn't Roll, a podcast about Christian rock.
Inhaltsangabe
* Acknowledgements * Introduction * * Chapter One - The Magic Power of Song and the Roots of Contemporary Christian Music (1897-1950) * Chapter Two - "The Game of Life": The Cold War Origins of Contemporary Christian Music (1951-1970) * Chapter Three - "The Now Generation": Creating Contemporary Christian Music (1970-1978) * Chapter Four - "Hearts in Motion": The Polish, Professionalism, and Political Activism of Contemporary Christian Music (1979-1991) * Chapter Five - "Jesus Freaks" and Youth Group Bands: The Power of Peak CCM (1992-2000) * Chapter Six - "God" Pop and the "Personality Trend" * Chapter Seven - "God's Not Dead": The Waning of CCM and the Waxing of Worship (2001-2012) * Chapter Eight - #LetUsWorship and the Soundtrack of Evangelical Discontent (2012-2021) * * Epilogue - Blow the Trumpet in Zion * Notes * Index
* Acknowledgements * Introduction * * Chapter One - The Magic Power of Song and the Roots of Contemporary Christian Music (1897-1950) * Chapter Two - "The Game of Life": The Cold War Origins of Contemporary Christian Music (1951-1970) * Chapter Three - "The Now Generation": Creating Contemporary Christian Music (1970-1978) * Chapter Four - "Hearts in Motion": The Polish, Professionalism, and Political Activism of Contemporary Christian Music (1979-1991) * Chapter Five - "Jesus Freaks" and Youth Group Bands: The Power of Peak CCM (1992-2000) * Chapter Six - "God" Pop and the "Personality Trend" * Chapter Seven - "God's Not Dead": The Waning of CCM and the Waxing of Worship (2001-2012) * Chapter Eight - #LetUsWorship and the Soundtrack of Evangelical Discontent (2012-2021) * * Epilogue - Blow the Trumpet in Zion * Notes * Index
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