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We're all writing or talking about Brexit at the moment, we've come across a lot of poets using their art to open wider conversations about Brexit, about the working class and the struggles that come with living in time of globalisation. Andrew 'Mulletproof' Graves' second Burning Eye collection GOD SAVE THE TEEN is our fourth book of the year and already a firm favourite. This a winding journey through the secret back ways of a northern city with all the rhythm of a defiant and purposeful walk. We asked Andrew to write a guest blog this week to talk about his journey from his first collection to GOD SAVE THE TEEN.…mehr

Produktbeschreibung
We're all writing or talking about Brexit at the moment, we've come across a lot of poets using their art to open wider conversations about Brexit, about the working class and the struggles that come with living in time of globalisation. Andrew 'Mulletproof' Graves' second Burning Eye collection GOD SAVE THE TEEN is our fourth book of the year and already a firm favourite. This a winding journey through the secret back ways of a northern city with all the rhythm of a defiant and purposeful walk. We asked Andrew to write a guest blog this week to talk about his journey from his first collection to GOD SAVE THE TEEN.
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Autorenporträt
Andrew Graves is a freelance writer and poet. His last twocollections, Light at the end of the Tenner and God Save the Teenwere released through Burning Eye Books. His first non-fictiontitle Welcome to the Cheap Seats: Silver Screen Portrayals of theBritish Working Class, was published by Five Leaves Books in2018 and his next book, an analysis of Alice Lowe's film Prevengewill be published by Auteur Publishing very shortly. He iscurrently writing a book about A Field in England for ElectricDreamhouse. He is host of Mondo Moviehouse: The WeirdWorld Cinema podcast and is a regular contributor to ScreamMagazine, Diabolique, The Digital Fix, Arrow Films, 88 Films,BFI , Eureka, Second Sight and We Belong Dead.