God's Song and Music's Meanings
Theology, Liturgy, and Musicology in Dialogue
Herausgeber: Hawkey, James; White, Vernon; Quash, Ben
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God's Song and Music's Meanings
Theology, Liturgy, and Musicology in Dialogue
Herausgeber: Hawkey, James; White, Vernon; Quash, Ben
- Gebundenes Buch
Taking seriously the practice and not just the theory of music, this ground-breaking collection of essays establishes a new standard for the interdisciplinary conversation between theology, musicology, and liturgical studies.
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Taking seriously the practice and not just the theory of music, this ground-breaking collection of essays establishes a new standard for the interdisciplinary conversation between theology, musicology, and liturgical studies.
Produktdetails
- Produktdetails
- Routledge Studies in Theology, Imagination and the Arts
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 196
- Erscheinungstermin: 7. August 2019
- Englisch
- Abmessung: 234mm x 156mm x 13mm
- Gewicht: 440g
- ISBN-13: 9781472478641
- ISBN-10: 1472478649
- Artikelnr.: 53022781
- Routledge Studies in Theology, Imagination and the Arts
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 196
- Erscheinungstermin: 7. August 2019
- Englisch
- Abmessung: 234mm x 156mm x 13mm
- Gewicht: 440g
- ISBN-13: 9781472478641
- ISBN-10: 1472478649
- Artikelnr.: 53022781
James Hawkey is Canon Theologian of Westminster Abbey, and a Fellow of Clare College, Cambridge, UK. Ben Quash is Professor of Christianity and the Arts and Director of the Centre for Arts and the Sacred at King's College London, UK. Vernon White is Visiting Professor in Theology at King's College London, UK. Until recently he was also Sub-Dean and Canon Theologian at Westminster Abbey.
Preface
Vernon White Part 1: The Meanings of Music in Western History 1 Mellifluous Music in Early Western Christianity
Carol Harrison 2 'We Prefer Gods We Can See': Music's Mediations Between Seen Things and God in the Patristic and Medieval Periods
Nancy van Deusen 3 Hearing Revelation: Music and Theology in the Reformation
Jonathan Arnold 4 Music
Atheism
and Modernity: Aesthetics
Morality
and the Theological Construction of the Self
Gareth Wilson Part 2: The Work of Worship and the Meanings of Music 5 The worship of God and the quest of the Spirit: 'Contemporary' versus 'Traditional' Church Music
Gordon Graham 6 Musical Promiscuity: Can the Same Music Serve Sacred and Profane Ends Equally Well? Lucy Winkett 7 Mixing their Musick: Worship
Music
and Christian Communities
James Hawkey Part 3: The Meanings of Music and the Mystery of God 8 The Malleable Meanings of Music
John Butt 9 The Material
the Moral and the Mysterious: Three Dimensions of Music
Ben Quash 10 Absolute Music / Absolute Worship
Daniel K.L. Chua 11 Afterword
Jeremy S. Begbie
Vernon White Part 1: The Meanings of Music in Western History 1 Mellifluous Music in Early Western Christianity
Carol Harrison 2 'We Prefer Gods We Can See': Music's Mediations Between Seen Things and God in the Patristic and Medieval Periods
Nancy van Deusen 3 Hearing Revelation: Music and Theology in the Reformation
Jonathan Arnold 4 Music
Atheism
and Modernity: Aesthetics
Morality
and the Theological Construction of the Self
Gareth Wilson Part 2: The Work of Worship and the Meanings of Music 5 The worship of God and the quest of the Spirit: 'Contemporary' versus 'Traditional' Church Music
Gordon Graham 6 Musical Promiscuity: Can the Same Music Serve Sacred and Profane Ends Equally Well? Lucy Winkett 7 Mixing their Musick: Worship
Music
and Christian Communities
James Hawkey Part 3: The Meanings of Music and the Mystery of God 8 The Malleable Meanings of Music
John Butt 9 The Material
the Moral and the Mysterious: Three Dimensions of Music
Ben Quash 10 Absolute Music / Absolute Worship
Daniel K.L. Chua 11 Afterword
Jeremy S. Begbie
Preface
Vernon White Part 1: The Meanings of Music in Western History 1 Mellifluous Music in Early Western Christianity
Carol Harrison 2 'We Prefer Gods We Can See': Music's Mediations Between Seen Things and God in the Patristic and Medieval Periods
Nancy van Deusen 3 Hearing Revelation: Music and Theology in the Reformation
Jonathan Arnold 4 Music
Atheism
and Modernity: Aesthetics
Morality
and the Theological Construction of the Self
Gareth Wilson Part 2: The Work of Worship and the Meanings of Music 5 The worship of God and the quest of the Spirit: 'Contemporary' versus 'Traditional' Church Music
Gordon Graham 6 Musical Promiscuity: Can the Same Music Serve Sacred and Profane Ends Equally Well? Lucy Winkett 7 Mixing their Musick: Worship
Music
and Christian Communities
James Hawkey Part 3: The Meanings of Music and the Mystery of God 8 The Malleable Meanings of Music
John Butt 9 The Material
the Moral and the Mysterious: Three Dimensions of Music
Ben Quash 10 Absolute Music / Absolute Worship
Daniel K.L. Chua 11 Afterword
Jeremy S. Begbie
Vernon White Part 1: The Meanings of Music in Western History 1 Mellifluous Music in Early Western Christianity
Carol Harrison 2 'We Prefer Gods We Can See': Music's Mediations Between Seen Things and God in the Patristic and Medieval Periods
Nancy van Deusen 3 Hearing Revelation: Music and Theology in the Reformation
Jonathan Arnold 4 Music
Atheism
and Modernity: Aesthetics
Morality
and the Theological Construction of the Self
Gareth Wilson Part 2: The Work of Worship and the Meanings of Music 5 The worship of God and the quest of the Spirit: 'Contemporary' versus 'Traditional' Church Music
Gordon Graham 6 Musical Promiscuity: Can the Same Music Serve Sacred and Profane Ends Equally Well? Lucy Winkett 7 Mixing their Musick: Worship
Music
and Christian Communities
James Hawkey Part 3: The Meanings of Music and the Mystery of God 8 The Malleable Meanings of Music
John Butt 9 The Material
the Moral and the Mysterious: Three Dimensions of Music
Ben Quash 10 Absolute Music / Absolute Worship
Daniel K.L. Chua 11 Afterword
Jeremy S. Begbie