Johann Wolfgang von Goethe
Goethe's Theory of Colours
Johann Wolfgang von Goethe
Goethe's Theory of Colours
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First published in German in 1810, this detailed volume was translated from the German by Charles Lock Eastlake and, in six parts, examines every aspect of Goetheâ s theory of colours, including psychological colours, chemical colours, the moral effect of colour, minerals, plants, insects, mammals and a multitude of further subjects.
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First published in German in 1810, this detailed volume was translated from the German by Charles Lock Eastlake and, in six parts, examines every aspect of Goetheâ s theory of colours, including psychological colours, chemical colours, the moral effect of colour, minerals, plants, insects, mammals and a multitude of further subjects.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Routledge Revivals
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 494
- Erscheinungstermin: 19. Februar 2021
- Englisch
- Abmessung: 216mm x 140mm x 26mm
- Gewicht: 610g
- ISBN-13: 9780367023157
- ISBN-10: 0367023156
- Artikelnr.: 60000998
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Routledge Revivals
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 494
- Erscheinungstermin: 19. Februar 2021
- Englisch
- Abmessung: 216mm x 140mm x 26mm
- Gewicht: 610g
- ISBN-13: 9780367023157
- ISBN-10: 0367023156
- Artikelnr.: 60000998
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Johann Wolfgang von Goethe was a German writer, poet, playwright, and philosopher, widely regarded as one of the most influential figures in Western literature. Born on August 28, 1749, in Frankfurt, Germany, he is best known for his works such as Faust, The Sorcerer's Apprentice, and Erlkönig. Goethe's works span a wide range of genres, including drama, poetry, and philosophy, and he was a central figure in the Sturm und Drang literary movement. His writing not only revolutionized German literature but also had a profound impact on political and philosophical thought. Throughout his career, Goethe was influenced by figures such as Friedrich Schiller and William Shakespeare, and his ideas on individuality and the human condition helped shape European intellectual history. Goethe was married to Christiane Vulpius from 1806 until her death in 1816. He spent much of his life in Weimar, Germany, where he died on March 22, 1832, at the age of 82. His legacy continues to influence writers, artists, and thinkers across the globe. His exploration of human nature and existential questions remains relevant in modern cultural and intellectual discussions.

Bild: Wikipedia
Part I. Physiological Colours. 1. Effects of Light and Darkness on the Eye.
2. Effects of Black and White Objects on the Eye. 3. Grey Surfaces and
Objects. 4. Dazzling Colourless Objects. 5. Coloured Objects. 6. Coloured
Shadows. 7. Faint Lights. 8. Subjective Halos. Part II. Physical Colours.
9. Dioptrical Colours. 10. Dioptrical Colours of the First Class. 11.
Dioptrical Colours of the Second Class - Refraction. 12. Refraction without
the Appearance of Colour. 13. Conditions of the Appearance of Colour. 14.
Conditions under which the Appearance of Colour Increases. 15. Explanation
of the Foregoing Phenomena. 16. Decrease of the Appearance of Colour. 17.
Grey Objects Displaced by Refraction. 18. Coloured Objects Displaced by
Refraction. 19. Achromatism and Hyperchromatism. 20. Advantages of
Subjective Experiments - Transition to the Objective. 21. Refraction
without the Appearance of Colour. 22. Conditions of the Appearance of
Colour. 23. Conditions of the Increase of Colour. 24. Explanation of the
Foregoing Phenomena. 25. Decrease of the Appearance of Colour. 26. Grey
Objects. 27. Coloured Objects. 28. Achromatism and Hyperchromatism. 29.
Combination of Subjective and Objective Experiments. 30. Transition. 31.
Catoptrical Colours. 32. Paroptical Colours. 33. Epoptical Colours. Part
III. Chemical Colours. 34. Chemical Contrast. 35. White. 36. Black. 37.
First Excitation of Colour. 38. Augmentation of Colour. 39. Culmination.
40. Fluctuation. 41. Passage through the Whole Scale. 42. Inversion. 43.
Fixation. 44. Intermixture, Real. 45. Intermixture, Apparent. 46.
Communication, Actual. 47. Communication, Apparent. 48. Extraction. 49.
Nomenclature. 50. Minerals. 51. Plants. 52. Worms, Insects, Fishes. 53.
Birds. 54. Mammalia and Human Beings. 55. Physical and Chemical Effects of
the Transmission of Light through Coloured Mediums. 56. Chemical Effect in
Dioptrical Achromatism. Part IV. General Characteristics. Part V. Relation
to Other Pursuits. Part VI. Effect of Colour with Reference to Moral
Associations.
2. Effects of Black and White Objects on the Eye. 3. Grey Surfaces and
Objects. 4. Dazzling Colourless Objects. 5. Coloured Objects. 6. Coloured
Shadows. 7. Faint Lights. 8. Subjective Halos. Part II. Physical Colours.
9. Dioptrical Colours. 10. Dioptrical Colours of the First Class. 11.
Dioptrical Colours of the Second Class - Refraction. 12. Refraction without
the Appearance of Colour. 13. Conditions of the Appearance of Colour. 14.
Conditions under which the Appearance of Colour Increases. 15. Explanation
of the Foregoing Phenomena. 16. Decrease of the Appearance of Colour. 17.
Grey Objects Displaced by Refraction. 18. Coloured Objects Displaced by
Refraction. 19. Achromatism and Hyperchromatism. 20. Advantages of
Subjective Experiments - Transition to the Objective. 21. Refraction
without the Appearance of Colour. 22. Conditions of the Appearance of
Colour. 23. Conditions of the Increase of Colour. 24. Explanation of the
Foregoing Phenomena. 25. Decrease of the Appearance of Colour. 26. Grey
Objects. 27. Coloured Objects. 28. Achromatism and Hyperchromatism. 29.
Combination of Subjective and Objective Experiments. 30. Transition. 31.
Catoptrical Colours. 32. Paroptical Colours. 33. Epoptical Colours. Part
III. Chemical Colours. 34. Chemical Contrast. 35. White. 36. Black. 37.
First Excitation of Colour. 38. Augmentation of Colour. 39. Culmination.
40. Fluctuation. 41. Passage through the Whole Scale. 42. Inversion. 43.
Fixation. 44. Intermixture, Real. 45. Intermixture, Apparent. 46.
Communication, Actual. 47. Communication, Apparent. 48. Extraction. 49.
Nomenclature. 50. Minerals. 51. Plants. 52. Worms, Insects, Fishes. 53.
Birds. 54. Mammalia and Human Beings. 55. Physical and Chemical Effects of
the Transmission of Light through Coloured Mediums. 56. Chemical Effect in
Dioptrical Achromatism. Part IV. General Characteristics. Part V. Relation
to Other Pursuits. Part VI. Effect of Colour with Reference to Moral
Associations.
Part I. Physiological Colours. 1. Effects of Light and Darkness on the Eye.
2. Effects of Black and White Objects on the Eye. 3. Grey Surfaces and
Objects. 4. Dazzling Colourless Objects. 5. Coloured Objects. 6. Coloured
Shadows. 7. Faint Lights. 8. Subjective Halos. Part II. Physical Colours.
9. Dioptrical Colours. 10. Dioptrical Colours of the First Class. 11.
Dioptrical Colours of the Second Class - Refraction. 12. Refraction without
the Appearance of Colour. 13. Conditions of the Appearance of Colour. 14.
Conditions under which the Appearance of Colour Increases. 15. Explanation
of the Foregoing Phenomena. 16. Decrease of the Appearance of Colour. 17.
Grey Objects Displaced by Refraction. 18. Coloured Objects Displaced by
Refraction. 19. Achromatism and Hyperchromatism. 20. Advantages of
Subjective Experiments - Transition to the Objective. 21. Refraction
without the Appearance of Colour. 22. Conditions of the Appearance of
Colour. 23. Conditions of the Increase of Colour. 24. Explanation of the
Foregoing Phenomena. 25. Decrease of the Appearance of Colour. 26. Grey
Objects. 27. Coloured Objects. 28. Achromatism and Hyperchromatism. 29.
Combination of Subjective and Objective Experiments. 30. Transition. 31.
Catoptrical Colours. 32. Paroptical Colours. 33. Epoptical Colours. Part
III. Chemical Colours. 34. Chemical Contrast. 35. White. 36. Black. 37.
First Excitation of Colour. 38. Augmentation of Colour. 39. Culmination.
40. Fluctuation. 41. Passage through the Whole Scale. 42. Inversion. 43.
Fixation. 44. Intermixture, Real. 45. Intermixture, Apparent. 46.
Communication, Actual. 47. Communication, Apparent. 48. Extraction. 49.
Nomenclature. 50. Minerals. 51. Plants. 52. Worms, Insects, Fishes. 53.
Birds. 54. Mammalia and Human Beings. 55. Physical and Chemical Effects of
the Transmission of Light through Coloured Mediums. 56. Chemical Effect in
Dioptrical Achromatism. Part IV. General Characteristics. Part V. Relation
to Other Pursuits. Part VI. Effect of Colour with Reference to Moral
Associations.
2. Effects of Black and White Objects on the Eye. 3. Grey Surfaces and
Objects. 4. Dazzling Colourless Objects. 5. Coloured Objects. 6. Coloured
Shadows. 7. Faint Lights. 8. Subjective Halos. Part II. Physical Colours.
9. Dioptrical Colours. 10. Dioptrical Colours of the First Class. 11.
Dioptrical Colours of the Second Class - Refraction. 12. Refraction without
the Appearance of Colour. 13. Conditions of the Appearance of Colour. 14.
Conditions under which the Appearance of Colour Increases. 15. Explanation
of the Foregoing Phenomena. 16. Decrease of the Appearance of Colour. 17.
Grey Objects Displaced by Refraction. 18. Coloured Objects Displaced by
Refraction. 19. Achromatism and Hyperchromatism. 20. Advantages of
Subjective Experiments - Transition to the Objective. 21. Refraction
without the Appearance of Colour. 22. Conditions of the Appearance of
Colour. 23. Conditions of the Increase of Colour. 24. Explanation of the
Foregoing Phenomena. 25. Decrease of the Appearance of Colour. 26. Grey
Objects. 27. Coloured Objects. 28. Achromatism and Hyperchromatism. 29.
Combination of Subjective and Objective Experiments. 30. Transition. 31.
Catoptrical Colours. 32. Paroptical Colours. 33. Epoptical Colours. Part
III. Chemical Colours. 34. Chemical Contrast. 35. White. 36. Black. 37.
First Excitation of Colour. 38. Augmentation of Colour. 39. Culmination.
40. Fluctuation. 41. Passage through the Whole Scale. 42. Inversion. 43.
Fixation. 44. Intermixture, Real. 45. Intermixture, Apparent. 46.
Communication, Actual. 47. Communication, Apparent. 48. Extraction. 49.
Nomenclature. 50. Minerals. 51. Plants. 52. Worms, Insects, Fishes. 53.
Birds. 54. Mammalia and Human Beings. 55. Physical and Chemical Effects of
the Transmission of Light through Coloured Mediums. 56. Chemical Effect in
Dioptrical Achromatism. Part IV. General Characteristics. Part V. Relation
to Other Pursuits. Part VI. Effect of Colour with Reference to Moral
Associations.