Goliat - Hooson, Rhiannon
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GoliatâEUR¯is a second collection and follow-up to Rhiannon HoosonâEUR(TM)s Wales Book of the Year nominated debut,âEUR¯The Other City. The poems are sumptuous, full of vivid imagery from the natural world woven with pointed observations that chime with contemporary themes, including social issues and climate emergency.âEUR¯ âEUR¿GoliatâEUR(TM) is the name of an oil field in the Barents Sea, and the Russian for âEUR¿GoliathâEUR(TM): a whale, a giant, a monster. The title poem is in the voice of the creatures who swim the dark waters of the oil fieldâEUR¯Goliat, a gorgeous but unstable ocean…mehr

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Produktbeschreibung
GoliatâEUR¯is a second collection and follow-up to Rhiannon HoosonâEUR(TM)s Wales Book of the Year nominated debut,âEUR¯The Other City. The poems are sumptuous, full of vivid imagery from the natural world woven with pointed observations that chime with contemporary themes, including social issues and climate emergency.âEUR¯ âEUR¿GoliatâEUR(TM) is the name of an oil field in the Barents Sea, and the Russian for âEUR¿GoliathâEUR(TM): a whale, a giant, a monster. The title poem is in the voice of the creatures who swim the dark waters of the oil fieldâEUR¯Goliat, a gorgeous but unstable ocean where, to survive, they must resist the soft, illusory lures of the âEUR¿southâEUR(TM) âEUR" an economy based on oil. Nature and climate crisis are always present in the consciousness of these poems, as in âEUR¿DoggerlandâEUR(TM), a lament for the nearing extinction of the white fronted goose, or in âEUR¿Horse Skull CrownâEUR(TM), a folk dance for the evening of the world. Along with awareness of climate emergency, Hooson also speaks to social issues. âEUR¿SouthiouâEUR(TM) is a poem dedicated to the brilliant Gambian-British photographer, Khadija Saye, who tragically died in the Grenfell Tower disaster. Many ofâEUR¯ HoosonâEUR(TM)s poems show the closeness of women, domestic work, and nature, all joined by a feminist thread, particularly in the series âEUR¿DirtwifeâEUR(TM) inspired by the long history of pigments and dyestuffs, or in those poems that chronicle the experience of illness in the time of covid. There is a deep sense of history across the collection, with poems inspired by traditions of secret Romanian weddings, Typhoid Mary, and historical use of leeches. Stylistically, these poems have a deep, sensuous music, and their narrators often become intoxicated: by a colour described by Mexican artist Frida Kahlo; by the urge to follow a stranger on a city street; by blackberries or the life of a comet. Hooson shows the world through fresh eyes, like, in âEUR¿Outliers,âEUR(TM) the winter swans that âEUR¿littered / the fields like torn papersâEUR(TM), or in âEUR¿Dung Beetle Love PoemâEUR(TM), which begins with only âEUR¿the dance: we two / beneath a path of light.âEUR(TM)âEUR¯âEUR¯A characteristic poem is âEUR¿Event HorizonsâEUR(TM) in which the narrator shares a moment of connection with âEUR¿GraceâEUR(TM), a robot being sent to the event horizon of a black hole.âEUR¯ This beautiful, intelligent book offers absorbing and moving experiences of a precarious world.âEUR¯GoliatâEUR¯contains the irreplaceable beauty of a wild world, and the terrible damage that humans might do to each other and the earth.
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Autorenporträt
Dr. Rhiannon Hooson is a Welsh poet and author. She has an Eric Gregory Award from the Society of Authors, and her first book, The Other City (Seren, 2016), was shortlisted for Wales Book of the Year. She has performed at literature festivals across the UK, and her work has been featured in the Guardian, Magma, and Poetry Wales among others. She has a PhD in poetry from the University of Lancaster, and spent time living and working in Cumbria and Ulaanbaatar, Mongolia, before settling in the Welsh marches.