Gone Girls, 1684-1901 examines how the persistent trope in eighteenth- and nineteenth-century British novels of female characters running away from home helped to shape both the novel form and modern feminism.
Gone Girls, 1684-1901 examines how the persistent trope in eighteenth- and nineteenth-century British novels of female characters running away from home helped to shape both the novel form and modern feminism.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
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Autorenporträt
Nora Gilbert is an Associate Professor of English at the University of North Texas, where she jointly specializes in nineteenth-century British literature and twentieth-century American film. She is the author of Better Left Unsaid: Victorian Novels, Hays Code Censorship, and the Benefits of Censorship (2013) and has published articles in such journals as PMLA, Film & History, Nineteenth-Century Literature, Victorian Review, Eighteenth-Century Life, and JNT: The Journal of Narrative Theory. Since 2017, she has served as editor-in-chief of Studies in the Novel.
Inhaltsangabe
* Gone Girls will inspire some of its readers to bolt directly back to eighteenth - and nineteenth - century novels that as the author eloquently puts it "remind us of the radical often underestimated potency of running to break free".
* Gone Girls will inspire some of its readers to bolt directly back to eighteenth - and nineteenth - century novels that as the author eloquently puts it "remind us of the radical often underestimated potency of running to break free".
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