Gone Girls, 1684-1901 examines how the persistent trope in eighteenth- and nineteenth-century British novels of female characters running away from home helped to shape both the novel form and modern feminism.
Gone Girls, 1684-1901 examines how the persistent trope in eighteenth- and nineteenth-century British novels of female characters running away from home helped to shape both the novel form and modern feminism.
Nora Gilbert is an Associate Professor of English at the University of North Texas, where she jointly specializes in nineteenth-century British literature and twentieth-century American film. She is the author of Better Left Unsaid: Victorian Novels, Hays Code Censorship, and the Benefits of Censorship (2013) and has published articles in such journals as PMLA, Film & History, Nineteenth-Century Literature, Victorian Review, Eighteenth-Century Life, and JNT: The Journal of Narrative Theory. Since 2017, she has served as editor-in-chief of Studies in the Novel.
Inhaltsangabe
* Gone Girls will inspire some of its readers to bolt directly back to eighteenth - and nineteenth - century novels that as the author eloquently puts it "remind us of the radical often underestimated potency of running to break free".
* Gone Girls will inspire some of its readers to bolt directly back to eighteenth - and nineteenth - century novels that as the author eloquently puts it "remind us of the radical often underestimated potency of running to break free".
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