Davis argues that it is within the most constructed of all moving images of the female form-the heroine of the animated film-that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found.
Davis argues that it is within the most constructed of all moving images of the female form-the heroine of the animated film-that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found.
Amy M. Davis is a lecturer in the School of Media and Performing Arts and a course director for Film Studies at the University of Ulster, Coleraine. She is author of several articles on the subject of Disney feature animation.
Inhaltsangabe
Introduction Chapter 1, Film as a Cultural Mirror Chapter 2, A Brief History of Animation Chapter 3, The Early Life of Walt Disney and the Beginnings of the Disney Studio, 1901-1937 Chapter 4, Disney Films 1937-1967: The "Classic" Years Chapter 5, Disney Films 1967-1988: The "Middle" Era Chapter 6, Disney Films 1989-2005: The "Eisner" Era Conclusion Appendix 1, Disney's full-length animated feature films Appendix 2, Disney films analysed in this study, with plot summaries Appendix 3, Bibliography Appendix 4, Filmography Index
Introduction Chapter 1, Film as a Cultural Mirror Chapter 2, A Brief History of Animation Chapter 3, The Early Life of Walt Disney and the Beginnings of the Disney Studio, 1901-1937 Chapter 4, Disney Films 1937-1967: The "Classic" Years Chapter 5, Disney Films 1967-1988: The "Middle" Era Chapter 6, Disney Films 1989-2005: The "Eisner" Era Conclusion Appendix 1, Disney's full-length animated feature films Appendix 2, Disney films analysed in this study, with plot summaries Appendix 3, Bibliography Appendix 4, Filmography Index
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