A transatlantic perspective that illuminates the Germania Musical Society's crucial role in introducing a "classical," predominantly German, repertory of instrumental works into American musical life.
A transatlantic perspective that illuminates the Germania Musical Society's crucial role in introducing a "classical," predominantly German, repertory of instrumental works into American musical life.
NANCY NEWMAN is Professor of Music at SUNY Albany, NY.
Inhaltsangabe
List of Illustrations Prelude Acknowledgments Introduction 1. Musical Forty-Eighters 2. Travels with the Germania Part One: Lenschow's Orchestra 1848-50 3. Travels with the Germania Part Two: Bergmann's Bond 1850-54 4. The Music of Society: A Repertory Study 5. Henry Albrecht's Utopian Vision Appendixes Notes Bibliography Index
List of Illustrations Prelude Acknowledgments Introduction 1. Musical Forty-Eighters 2. Travels with the Germania Part One: Lenschow's Orchestra 1848-50 3. Travels with the Germania Part Two: Bergmann's Bond 1850-54 4. The Music of Society: A Repertory Study 5. Henry Albrecht's Utopian Vision Appendixes Notes Bibliography Index
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