A surfeit of tropes about love exhausted Spanish literature in the age of Cervantes. This book provides a pioneering look at the rich array of ways in which Spanish Golden Age authors responded by crafting a new literary aesthetic.
A surfeit of tropes about love exhausted Spanish literature in the age of Cervantes. This book provides a pioneering look at the rich array of ways in which Spanish Golden Age authors responded by crafting a new literary aesthetic.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: Eros in the Age of Cervantes Ana Maria Laguna, Rutgers University and John Beusterien, Texas Tech University Part I. Amorous Optics: Reframing Perception, Gender Subjectivity, and Genre Convention 1. Egocentricity versus Persuasion: Eros, Logos, and Pathos in Cervantes’s Marcela and Grisóstomo Episode Joan Cammarata, Manhattan College and Ana Maria Laguna, Rutgers University 2. The Deceived Gaze: Visual Fantasy, Art, and Feminine Adultery in Cervantes’s Reading of Ariosto Mercedes Alcalá Galán, University of Wisconsin-Madison Part II. Reasoning the Unreasonable: Towards a Rationale of Love 3. El Greco and Cervantes’s Euclidean Theologies Eric Clifford Graf, Francisco Marroquin University 4. Love and the Laws of Literature: The Ethics and Poetics of Affect in Cervantes’s "The Little Gypsy Girl" Eli Cohen, Swarthmore College 5. Eros and Ethos in the Political and Religious Logos of The Trials of Persiles and Sigismunda: The Anomic Character in Cervantes Jesús Maestro, University of Oviedo Part III: Kissing between the Lines: Blurring Sexual and Racial Norms 6. Sexy Beasts: Women and their Lapdogs in Baroque Satirical Verse Adrienne Martin, University of California, Santa Cruz 7. Sexual Deviance and Morisco Marginality in Cervantes’s The Trials of Persiles and Sigismunda Christina Lee, Princeton University 8. The Black Madonna Icon: Race, Rape, and the Virgin of Montserrat in The Confession with the Devil by Francisco de Torre y Sevil John Beusterien, Texas Tech University Part IV: Recasting Erotic and Heroic Molds 9. For Love of the White Sea: The Curious Identity of Uludj Ali Diana de Armas Wilson, University of Denver 10. Writing a Tragic Image: Eros and Eris in Lope de Vega’s Jerusalem Conquered Jason McCloskey, Bucknell University 11. The Un-Romantic Approach to Don Quixote: Cervantine Love in the Spanish, Post-War Age Ana Maria Laguna, Rutgers University Notes List of Contributors
Introduction: Eros in the Age of Cervantes Ana Maria Laguna, Rutgers University and John Beusterien, Texas Tech University Part I. Amorous Optics: Reframing Perception, Gender Subjectivity, and Genre Convention 1. Egocentricity versus Persuasion: Eros, Logos, and Pathos in Cervantes’s Marcela and Grisóstomo Episode Joan Cammarata, Manhattan College and Ana Maria Laguna, Rutgers University 2. The Deceived Gaze: Visual Fantasy, Art, and Feminine Adultery in Cervantes’s Reading of Ariosto Mercedes Alcalá Galán, University of Wisconsin-Madison Part II. Reasoning the Unreasonable: Towards a Rationale of Love 3. El Greco and Cervantes’s Euclidean Theologies Eric Clifford Graf, Francisco Marroquin University 4. Love and the Laws of Literature: The Ethics and Poetics of Affect in Cervantes’s "The Little Gypsy Girl" Eli Cohen, Swarthmore College 5. Eros and Ethos in the Political and Religious Logos of The Trials of Persiles and Sigismunda: The Anomic Character in Cervantes Jesús Maestro, University of Oviedo Part III: Kissing between the Lines: Blurring Sexual and Racial Norms 6. Sexy Beasts: Women and their Lapdogs in Baroque Satirical Verse Adrienne Martin, University of California, Santa Cruz 7. Sexual Deviance and Morisco Marginality in Cervantes’s The Trials of Persiles and Sigismunda Christina Lee, Princeton University 8. The Black Madonna Icon: Race, Rape, and the Virgin of Montserrat in The Confession with the Devil by Francisco de Torre y Sevil John Beusterien, Texas Tech University Part IV: Recasting Erotic and Heroic Molds 9. For Love of the White Sea: The Curious Identity of Uludj Ali Diana de Armas Wilson, University of Denver 10. Writing a Tragic Image: Eros and Eris in Lope de Vega’s Jerusalem Conquered Jason McCloskey, Bucknell University 11. The Un-Romantic Approach to Don Quixote: Cervantine Love in the Spanish, Post-War Age Ana Maria Laguna, Rutgers University Notes List of Contributors
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