In charting the life and times of Gordon Stretton, this text makes a major contribution to both jazz and popular music studies. By asking historians to re-evaluate the contributions made to the development of jazz by those â other thanâ African Americans, it proposes new jazz histories emanating from pathways, influences and encounters.
In charting the life and times of Gordon Stretton, this text makes a major contribution to both jazz and popular music studies. By asking historians to re-evaluate the contributions made to the development of jazz by those â other thanâ African Americans, it proposes new jazz histories emanating from pathways, influences and encounters.
Foreword Chapter One - An Introduction: "The Times Are Always Contained in the Rhythm" (attributed to Quincy Jones) Chapter Two - Literature Section One - Survival and Emergence: From Liverpool to London Chapter Three - Survival: The Liverpool of William Masters Chapter Four - Emergence: "Gordon Stretton" Chapter Five - Identification: London (and Jazz) Calling! Dark Town Jingles, Billy Dorsey; "they did a Marconi test in a plane" Chapter Six - Fragments: A Summary of Gordon Stretton's Career Prior to Paris via Historical Fragments: Advertising, Promotional Materials, Sheet Music, Recordings Section Two - Affirmation: "And So to Paris" Chapter Seven: Affirmation Section Three - Celebration: The Latin American Adventure; Brazil and Argentina Chapter Eight - Celebration! Gordon Stretton and Transoceanic Jazz Chapter Nine - Verification: Audiovisuals and a Home in Argentina Chapter Ten - Gordon and the Anglo Argentine community in Buenos Aires Chapter Eleven - Confirmation: So, What Can We Learn? Appendix 1: Timelines Appendix 2: Short Biographical Notes on Members of the Jamaican Choral Union Appendix 3: Brief Pen Pictures of a Few Musicians Who Performed with Gordon Stretton Appendix 4: Email Received from Guy Revell, Royal Air Force Museum, London Appendix 5: Discography
Foreword Chapter One - An Introduction: "The Times Are Always Contained in the Rhythm" (attributed to Quincy Jones) Chapter Two - Literature Section One - Survival and Emergence: From Liverpool to London Chapter Three - Survival: The Liverpool of William Masters Chapter Four - Emergence: "Gordon Stretton" Chapter Five - Identification: London (and Jazz) Calling! Dark Town Jingles, Billy Dorsey; "they did a Marconi test in a plane" Chapter Six - Fragments: A Summary of Gordon Stretton's Career Prior to Paris via Historical Fragments: Advertising, Promotional Materials, Sheet Music, Recordings Section Two - Affirmation: "And So to Paris" Chapter Seven: Affirmation Section Three - Celebration: The Latin American Adventure; Brazil and Argentina Chapter Eight - Celebration! Gordon Stretton and Transoceanic Jazz Chapter Nine - Verification: Audiovisuals and a Home in Argentina Chapter Ten - Gordon and the Anglo Argentine community in Buenos Aires Chapter Eleven - Confirmation: So, What Can We Learn? Appendix 1: Timelines Appendix 2: Short Biographical Notes on Members of the Jamaican Choral Union Appendix 3: Brief Pen Pictures of a Few Musicians Who Performed with Gordon Stretton Appendix 4: Email Received from Guy Revell, Royal Air Force Museum, London Appendix 5: Discography
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