Gothic Afterlives examines the intersections between contemporary Gothic horror and remakes scholarship from various disciplinary perspectives. The essays in the collection cover a wide range of transmedia examples, including literature, film, television, video games, and digital media reimaginings.
Gothic Afterlives examines the intersections between contemporary Gothic horror and remakes scholarship from various disciplinary perspectives. The essays in the collection cover a wide range of transmedia examples, including literature, film, television, video games, and digital media reimaginings.
Lorna Piatti-Farnell is director of the Popular Culture Research Centre at Auckland University of Technology, New Zealand.
Inhaltsangabe
Introduction Part I: Reincarnations and (Re)imaginings Chapter One: Beyond the Barricades: Restaging the Siege Narrative in post-Romero Zombie Film and TV Chapter Two: The Afterlives of Alice: Reanimating the Gothic Heroine in the Resident Evil Franchise Chapter Three: Evil, Reborn: Remaking Disney and the Villain Intertext Chapter Four: Untold Draculas: Textual Estrangement, Cinematic Reincarnation, and the Popular Dracula Legend Chapter Five: "Most of you are wondering who the heck I am": Carmilla (2014-2016, online) as Digital Reimagining of LeFanu's "Carmilla" Part II: Legacies, Dualities, and Hauntings Chapter Six: Remaking Olimpia: Agency and the Gothic Afterlives of 'Female' Automata Chapter Seven: Ann Radcliffe's Legacy and Del Toro's Crimson Peak (2015) Chapter Eight: Unmade and Remade: Trauma and Modern Adaptations of Frankenstein Chapter Nine: Dealing with Dualities: Modern Adaptations of Dr Jekyll and Mr Hyde Part III: (Re)turns and Re(possessions) Chapter Ten: Remaking Stephen King: Texts and Contexts Chapter Eleven: Stranger Things: Remixing Eighties Horror as Posthuman Gothic Chapter Twelve: Mexican Gothic Remakes: Carlos Enrique Taboada's Films, Possessions, and Double Loops Chapter Thirteen: Tangled Hair and Broken Bodies: Remaking Women and Technology in Japanese Gothic Horror Tradition from The Tale of Genji to Ringu Chapter Fourteen: "Don't Fuck with the Original:" Final Girl Impact on the Twenty-First Century Horror Film Industry
Introduction Part I: Reincarnations and (Re)imaginings Chapter One: Beyond the Barricades: Restaging the Siege Narrative in post-Romero Zombie Film and TV Chapter Two: The Afterlives of Alice: Reanimating the Gothic Heroine in the Resident Evil Franchise Chapter Three: Evil, Reborn: Remaking Disney and the Villain Intertext Chapter Four: Untold Draculas: Textual Estrangement, Cinematic Reincarnation, and the Popular Dracula Legend Chapter Five: "Most of you are wondering who the heck I am": Carmilla (2014-2016, online) as Digital Reimagining of LeFanu's "Carmilla" Part II: Legacies, Dualities, and Hauntings Chapter Six: Remaking Olimpia: Agency and the Gothic Afterlives of 'Female' Automata Chapter Seven: Ann Radcliffe's Legacy and Del Toro's Crimson Peak (2015) Chapter Eight: Unmade and Remade: Trauma and Modern Adaptations of Frankenstein Chapter Nine: Dealing with Dualities: Modern Adaptations of Dr Jekyll and Mr Hyde Part III: (Re)turns and Re(possessions) Chapter Ten: Remaking Stephen King: Texts and Contexts Chapter Eleven: Stranger Things: Remixing Eighties Horror as Posthuman Gothic Chapter Twelve: Mexican Gothic Remakes: Carlos Enrique Taboada's Films, Possessions, and Double Loops Chapter Thirteen: Tangled Hair and Broken Bodies: Remaking Women and Technology in Japanese Gothic Horror Tradition from The Tale of Genji to Ringu Chapter Fourteen: "Don't Fuck with the Original:" Final Girl Impact on the Twenty-First Century Horror Film Industry
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