An adventurous and wide-ranging survey of Gothic media, this book investigates everything from oil paintings to album cover art, magic lanterns to video games. -- .
An adventurous and wide-ranging survey of Gothic media, this book investigates everything from oil paintings to album cover art, magic lanterns to video games. -- .Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David Annwn Jones is Lecturer in English at the Open University
Inhaltsangabe
Introduction Chapter 1 1.1 Gothic and Gothic Revival architecture 1.2 Graveyards, crypts and mausolea 1.3 Ruins 1.4 Follies and gardens 1.5 Décor, domestic furniture and uncanny household items 1.6 Theatre and stage 1.7 Masquerade, Halloween and Gothic as pageant and immersive spectacle 1.8 Dance and mime Chapter 2 2.1 Early painting to the eighteenth century 2.2 Painting: Goya to Giger and after 2.3 Engravings: icons of ancestral fear 2.4 The macabre graphic art of the Blue books and Penny Dreadfuls 2.5 Revivified and spectral portraits: Otranto's yawning picture to M.R. James's 'The Mezzotint' 2.6 Uncanny signs and posters Chapter 3 3.1 Sculptors and statuary 3.2 Wax simulacra 3.3 Dolls, effigies, mommets and poppets 3.4 Moving statues and automata 3.5 Tableaux vivants and poses plastiques 3.6 Cabinets of curiosity 3.7 Postmodern Gothic sculptures and figurines 3.8 Taxidermy Chapter 4 4.1 Ghost machines: the Satanic Eidophusikon and peepshows 4.2 Phantasmagoria and magic lanterns: E-A Roberston's lantern-of-fear 4.3 Stereoscope 'Diableries' 4.4 'Pepper's Ghost' and the domestic lantern horror show 4.5 Eerie sight machines, zoetropes and the whirling witches of Plateau's Phenakistoscope 4.6 Gothic Kinetoscopes to early American horror film 4.7 Gothic films, from silents to electronic movie making 4.8 Gothic TV Chapter 5 5.1 Gothic comics, graphic novels and icons 5.2 Silhouettes, Ombres Chinoises and shadowgraphs 5.3 Damnable lithographs: Louis Boulanger's Satanic 'La Ronde de Sabbat'and the dark barbarism of the 'lapidary art' 5.4 Dressed, adorned and altered prints and books 5.5 Leporellos, moving books and monstrous concertina texts 5.6 Gothic calendars Chapter 6 6.1 The dark hold of Daguerreotypes and early photography 6.2 Mourning and spirit photographs 6.3 Gothic collage, photocollage and shadow boxes 6.4 Haunts, great houses, cadavers and ossuaries: the photography of Simon Marsden and Paul Koudounaris 6.5 Modern photography Chapter 7 7.1 Gothic scripts, fonts, ciphers and calligraphy 7.2 A dark chaos of marbled papers 7.3 Gothic labelling, packaging and ads 7.4 Graffiti, curses, sigils and heraldry 7.5 Tapestries and embroidery 7.6 Book covers and magazine covers 7.7 Record and CD cover art Chapter 8 8.1 Gothic costume, ancient and modern 8.2 Gothic jewellery 8.3 'Gothic toys through Gothic glass' 8.4 Masks, weapons, and athames 8.5 Playing cards and the Tarot Chapter 9 9.1 New media: the art of Gothic gaming and horror apps 9.2 Ghost trains 9.3 Horror environments and itineraries, escape rooms, Halloween hayrides and tourist attractions 9.4 Gothic installations 9.5 Performance art, body art, tattoos and facepaint Index
Introduction Chapter 1 1.1 Gothic and Gothic Revival architecture 1.2 Graveyards, crypts and mausolea 1.3 Ruins 1.4 Follies and gardens 1.5 Décor, domestic furniture and uncanny household items 1.6 Theatre and stage 1.7 Masquerade, Halloween and Gothic as pageant and immersive spectacle 1.8 Dance and mime Chapter 2 2.1 Early painting to the eighteenth century 2.2 Painting: Goya to Giger and after 2.3 Engravings: icons of ancestral fear 2.4 The macabre graphic art of the Blue books and Penny Dreadfuls 2.5 Revivified and spectral portraits: Otranto's yawning picture to M.R. James's 'The Mezzotint' 2.6 Uncanny signs and posters Chapter 3 3.1 Sculptors and statuary 3.2 Wax simulacra 3.3 Dolls, effigies, mommets and poppets 3.4 Moving statues and automata 3.5 Tableaux vivants and poses plastiques 3.6 Cabinets of curiosity 3.7 Postmodern Gothic sculptures and figurines 3.8 Taxidermy Chapter 4 4.1 Ghost machines: the Satanic Eidophusikon and peepshows 4.2 Phantasmagoria and magic lanterns: E-A Roberston's lantern-of-fear 4.3 Stereoscope 'Diableries' 4.4 'Pepper's Ghost' and the domestic lantern horror show 4.5 Eerie sight machines, zoetropes and the whirling witches of Plateau's Phenakistoscope 4.6 Gothic Kinetoscopes to early American horror film 4.7 Gothic films, from silents to electronic movie making 4.8 Gothic TV Chapter 5 5.1 Gothic comics, graphic novels and icons 5.2 Silhouettes, Ombres Chinoises and shadowgraphs 5.3 Damnable lithographs: Louis Boulanger's Satanic 'La Ronde de Sabbat'and the dark barbarism of the 'lapidary art' 5.4 Dressed, adorned and altered prints and books 5.5 Leporellos, moving books and monstrous concertina texts 5.6 Gothic calendars Chapter 6 6.1 The dark hold of Daguerreotypes and early photography 6.2 Mourning and spirit photographs 6.3 Gothic collage, photocollage and shadow boxes 6.4 Haunts, great houses, cadavers and ossuaries: the photography of Simon Marsden and Paul Koudounaris 6.5 Modern photography Chapter 7 7.1 Gothic scripts, fonts, ciphers and calligraphy 7.2 A dark chaos of marbled papers 7.3 Gothic labelling, packaging and ads 7.4 Graffiti, curses, sigils and heraldry 7.5 Tapestries and embroidery 7.6 Book covers and magazine covers 7.7 Record and CD cover art Chapter 8 8.1 Gothic costume, ancient and modern 8.2 Gothic jewellery 8.3 'Gothic toys through Gothic glass' 8.4 Masks, weapons, and athames 8.5 Playing cards and the Tarot Chapter 9 9.1 New media: the art of Gothic gaming and horror apps 9.2 Ghost trains 9.3 Horror environments and itineraries, escape rooms, Halloween hayrides and tourist attractions 9.4 Gothic installations 9.5 Performance art, body art, tattoos and facepaint Index
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