This completely revised new edition provides a comprehensive historical primer of essential gothic criticism from its origins in the eighteenth century through "Frankenstein" and "Dracula" to the worlds of Hannibal Lecter and Alien Invasion. This anthology of Gothic writings and criticism provides an essential guide to the genre for students of English Literature and Cultural Studies. The first edition was critically acclaimed, and runner up in the International Horror Guild Awards. This new edition has been thoroughly revised to include material from the early gothic and a fresh set of…mehr
This completely revised new edition provides a comprehensive historical primer of essential gothic criticism from its origins in the eighteenth century through "Frankenstein" and "Dracula" to the worlds of Hannibal Lecter and Alien Invasion.This anthology of Gothic writings and criticism provides an essential guide to the genre for students of English Literature and Cultural Studies. The first edition was critically acclaimed, and runner up in the International Horror Guild Awards. This new edition has been thoroughly revised to include material from the early gothic and a fresh set of contemporary essays. The material is presented in a highly accessible way, with a supporting timeline and thought provoking introductory material by Clive Bloom.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgements Chronology of Significant Landmarks in Horror and Gothic Fiction Preface to the Second Edition Introduction PART 1: GOTHIC WHISPERS Extract from Of the Sublime; E.Burke The Castle of Otranto, Preface to 1764 edition; H.Walpole The Castle of Otranto, Preface to second edition; H.Walpole Advertisement to The Monk; M.Lewis Extract from On 'The Monk'; S.T.Coleridge Extract from The Italian; A.Radcliffe Extract from Discourse 1: 'Gothick'; J.Reynolds Frankenstein, Preface to 1817 edition; M.Shelley Frankenstein, Preface to 1831 edition; M.Shelley Remarks on Frankenstein: or the Modern Prometheus; W.Scott Extract from Northanger Abbey; J.Austen Extract from Nightmare Abbey; T.L.Peacock Melmoth, the Wanderer, Preface to 1820 edition; C.Maturin On the Supernatural in Poetry; A.Radcliffe PART 2: HORROR THE SOUL OF THE PLOT Extract from The Man of the Crowd; E.A.Poe Extract from The Imp of the Perverse; E.A.Poe The Philosophy of Composition; E.A.Poe Extract from Eureka; E.A.Poe Extract from Marginalia; E.A.Poe Preface to The House of the Seven Gables; N.Hawthorne Extract from The Renaissance; W.Pater Extract from Nightmare Touch; L.Hearn An Autobiographical Postscript; E.Wharton PART 3: IN THE DARK Extract from The Uncanny; S.Freud On Algernon Blackwood; H.Belloc Preface to The Collected Ghost Stories; M.R.James Extract from The Supernatural in Literature; H.P.Lovecraft Extract from The Vampire in Literature; M.Summers I like Playing Dracula; B.Lugosi Author's Note from The Devil Rides Out; D.Wheatley Gothic Hangover; E.S.Turner PART 4: FEARMAKERS On Horror Writers; R.Bloch Dracula, Frankenstine, Sons and Co.; K.Amis Symposium on H P Lovecraft; Los Angeles Science Fiction Society Extract from Interview for Playboy; S.King Extract from An Evening at Billericay Public Library; S.King On Stephen King; W.Strieber On Horror and Subversion; C.Barker PART 5: CONTEMPORARY SHIVERS Terrorism and the Gothic; D.Punter Extract from The Fantastic; T.Todorov Monster Culture (Seven Theses); J.J.Cohen Extract from Freakery; R.G.Thomson The Body of Frankenstein's Monster; C.Helman Narrative Structure, Liminality, Self Similarity: The Case of Gothic Fiction; M.Aguirre Horror Narratives; L.Talairach-Vielmas African American and Afro Caribbean Women's Horror as Contemporary Cultural Critique; G.Wisker All Dark Inside: Zombies and Detectives; C.Bloom Epilogue: Further Thoughts on the Gothic Further Reading Index
Acknowledgements Chronology of Significant Landmarks in Horror and Gothic Fiction Preface to the Second Edition Introduction PART 1: GOTHIC WHISPERS Extract from Of the Sublime; E.Burke The Castle of Otranto, Preface to 1764 edition; H.Walpole The Castle of Otranto, Preface to second edition; H.Walpole Advertisement to The Monk; M.Lewis Extract from On 'The Monk'; S.T.Coleridge Extract from The Italian; A.Radcliffe Extract from Discourse 1: 'Gothick'; J.Reynolds Frankenstein, Preface to 1817 edition; M.Shelley Frankenstein, Preface to 1831 edition; M.Shelley Remarks on Frankenstein: or the Modern Prometheus; W.Scott Extract from Northanger Abbey; J.Austen Extract from Nightmare Abbey; T.L.Peacock Melmoth, the Wanderer, Preface to 1820 edition; C.Maturin On the Supernatural in Poetry; A.Radcliffe PART 2: HORROR THE SOUL OF THE PLOT Extract from The Man of the Crowd; E.A.Poe Extract from The Imp of the Perverse; E.A.Poe The Philosophy of Composition; E.A.Poe Extract from Eureka; E.A.Poe Extract from Marginalia; E.A.Poe Preface to The House of the Seven Gables; N.Hawthorne Extract from The Renaissance; W.Pater Extract from Nightmare Touch; L.Hearn An Autobiographical Postscript; E.Wharton PART 3: IN THE DARK Extract from The Uncanny; S.Freud On Algernon Blackwood; H.Belloc Preface to The Collected Ghost Stories; M.R.James Extract from The Supernatural in Literature; H.P.Lovecraft Extract from The Vampire in Literature; M.Summers I like Playing Dracula; B.Lugosi Author's Note from The Devil Rides Out; D.Wheatley Gothic Hangover; E.S.Turner PART 4: FEARMAKERS On Horror Writers; R.Bloch Dracula, Frankenstine, Sons and Co.; K.Amis Symposium on H P Lovecraft; Los Angeles Science Fiction Society Extract from Interview for Playboy; S.King Extract from An Evening at Billericay Public Library; S.King On Stephen King; W.Strieber On Horror and Subversion; C.Barker PART 5: CONTEMPORARY SHIVERS Terrorism and the Gothic; D.Punter Extract from The Fantastic; T.Todorov Monster Culture (Seven Theses); J.J.Cohen Extract from Freakery; R.G.Thomson The Body of Frankenstein's Monster; C.Helman Narrative Structure, Liminality, Self Similarity: The Case of Gothic Fiction; M.Aguirre Horror Narratives; L.Talairach-Vielmas African American and Afro Caribbean Women's Horror as Contemporary Cultural Critique; G.Wisker All Dark Inside: Zombies and Detectives; C.Bloom Epilogue: Further Thoughts on the Gothic Further Reading Index
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'...already deservedly a seminal work of Gothic scholarship.' - Susan Chaplin, BARS Bulletin
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