Through an examination of texts from diverse periods and media, Gothic Mash-Ups explores the role that appropriation and intertextuality play in Gothic storytelling. Building on recent scholarship on Gothic remix and adaptation, the contributors demonstrate that the Gothic is a fundamentally hybrid genre.
Through an examination of texts from diverse periods and media, Gothic Mash-Ups explores the role that appropriation and intertextuality play in Gothic storytelling. Building on recent scholarship on Gothic remix and adaptation, the contributors demonstrate that the Gothic is a fundamentally hybrid genre.
Edited by Natalie Neill - Contributions by Xavier Aldana Reyes; Kelly Baron; Megen de Bruin-Molé; Chesya Burke; Matthew Costello; Kevin M. Flanagan; Rachel M. Friars; Stephanie Russo; Ewan Kirkland; Sandra M. Leonard; Sarah E. Maier; L. N. Rosales; Julia
Inhaltsangabe
Part I: Film and Television Mash-Ups 1.Do the Monster Mash: Universal's "Classic Monsters" and the Industrialization of the Gothic Transmedia Franchise Megen de Bruin-Molé 2.Adapting Monstrous Creation: Lisztomania and Gothic as Gothic Mash-Ups Kevin M. Flanagan 3.Gothic Exploitation: Transnational Appropriation, Hybridity, and Originality in Continental Horror Cinema, 1957-1983 Xavier Aldana Reyes 4.Queer(ly) Mash(ed) Up: Portraits of Neo-Victorian Others in Penny Dreadful Sarah E. Maier and Rachel M. Friars 5.Horror, Humor, and Satire in Get Out Chesya Burke Part II: Literary Mash-Ups 6.Anne Boleyn, Tudor Vampire Stephanie Russo 7.The Holmes-Meets-Dracula Mash-Up L. N. Rosales 8.Orgiastic Authorship in The Picture of Dorian Gray and Teleny Sandra M. Leonard 9.Rewriting Indigeneity in the Canadian Gothic: Monsters, Mash-Up, and Monkey Beach Kelly Baron Part III: More Mash-Ups: Comics, Performance, and Games 10."The crawling thing within me": Marvel Comics and the Return of the Gothic Body Matthew Costello and Mary Beth Tegan 11.Misty, Mash-Ups, and the Marginalized in British Girls' Comics Julia Round 12.Mashing Up Magick: Bizarre Magick and the Fuzzy Gothic Nik Taylor 13.Gothic Gaming, Queer Mash-Ups, and Gone Home Ewan Kirkland 14.Hypertext of Horrors: A Post-Mortem of Evermore: A Choose Your Own Edgar Allan Poe Adventure Adam Whybray
Part I: Film and Television Mash-Ups 1.Do the Monster Mash: Universal's "Classic Monsters" and the Industrialization of the Gothic Transmedia Franchise Megen de Bruin-Molé 2.Adapting Monstrous Creation: Lisztomania and Gothic as Gothic Mash-Ups Kevin M. Flanagan 3.Gothic Exploitation: Transnational Appropriation, Hybridity, and Originality in Continental Horror Cinema, 1957-1983 Xavier Aldana Reyes 4.Queer(ly) Mash(ed) Up: Portraits of Neo-Victorian Others in Penny Dreadful Sarah E. Maier and Rachel M. Friars 5.Horror, Humor, and Satire in Get Out Chesya Burke Part II: Literary Mash-Ups 6.Anne Boleyn, Tudor Vampire Stephanie Russo 7.The Holmes-Meets-Dracula Mash-Up L. N. Rosales 8.Orgiastic Authorship in The Picture of Dorian Gray and Teleny Sandra M. Leonard 9.Rewriting Indigeneity in the Canadian Gothic: Monsters, Mash-Up, and Monkey Beach Kelly Baron Part III: More Mash-Ups: Comics, Performance, and Games 10."The crawling thing within me": Marvel Comics and the Return of the Gothic Body Matthew Costello and Mary Beth Tegan 11.Misty, Mash-Ups, and the Marginalized in British Girls' Comics Julia Round 12.Mashing Up Magick: Bizarre Magick and the Fuzzy Gothic Nik Taylor 13.Gothic Gaming, Queer Mash-Ups, and Gone Home Ewan Kirkland 14.Hypertext of Horrors: A Post-Mortem of Evermore: A Choose Your Own Edgar Allan Poe Adventure Adam Whybray
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
