This book is the first in-depth study of the Gothic on television. It defines and explores key instances of the genre across the history of television drama in the UK and US. The book builds a strong argument for the fact that the Gothic, in its various guises, is well-suited to television as a domestic medium.
This book is the first in-depth study of the Gothic on television. It defines and explores key instances of the genre across the history of television drama in the UK and US. The book builds a strong argument for the fact that the Gothic, in its various guises, is well-suited to television as a domestic medium.
Helen Wheatley is Lecturer in Television and Film Studies at the University of Warwick
Inhaltsangabe
Introduction: Gothic television - texts and contexts 1. Showing less, suggesting more: the ghost story on British television 2. Blood, guts and special effects: the heritage of horror on British television 3. The female Gothic: women, domesticity, and the Gothic adaptation 4. Keeping it in the family: American Gothic television in the 1960s 5. Televisuality and the new American Gothic Conclusion Teleography Filmography
Introduction: Gothic television - texts and contexts 1. Showing less, suggesting more: the ghost story on British television 2. Blood, guts and special effects: the heritage of horror on British television 3. The female Gothic: women, domesticity, and the Gothic adaptation 4. Keeping it in the family: American Gothic television in the 1960s 5. Televisuality and the new American Gothic Conclusion Teleography Filmography
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