Goya - Lucie-Smith, Edward
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What is highly original is the fact that these drawings, often extremely ambiguous in meaning, form a meditative sequence, not apparently intended for public consumption, but entirely selfreflexive. They record the artist's dreams and fantasies, but strictly for his own contemplation. As such they represent a major psychological breakthrough, a next step forward from the late self-portraits of Rembrandt. Their successors are the images created by major Surrealist artists such as Salvador Dalì and Max Ernst. The exhibition enables us to see our contemporary ideas about the nature of the self at…mehr

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Produktbeschreibung
What is highly original is the fact that these drawings, often extremely ambiguous in meaning, form a meditative sequence, not apparently intended for public consumption, but entirely selfreflexive. They record the artist's dreams and fantasies, but strictly for his own contemplation. As such they represent a major psychological breakthrough, a next step forward from the late self-portraits of Rembrandt. Their successors are the images created by major Surrealist artists such as Salvador Dalì and Max Ernst. The exhibition enables us to see our contemporary ideas about the nature of the self at the very moment of their first formation. These are the issues Edward Lucie-Smith will discuss in his text about this pioneering show, which not only reconstructs Goya's long-dispersed album, but places it In the context of other drawings and prints by the same great artist
Autorenporträt
Edward Lucie-Smith was born in 1933 at Kingston, Jamaica. He moved to Britain in 1946, and was educated at King's School, Canterbury and Merton College, Oxford, where he read History. Subsequently he was an Education Officer in the R.A.F., then worked in advertising for ten years before becoming a freelance author. He is now an internationally known art critic and historian, who is also a published poet (winner of the John Llewellyn Rhys Memorial Prize), an anthologist and a practicing photographer. He has published more than a hundred books in all, including a biography of Joan of Arc (recently republished by Penguin in paperback as a 'classic biography'), a historical novel, and more than sixty books about art, chiefly but not exclusively about contemporary work. A number of his art books, among them Movements in Art since 1945 , Visual Arts of the 20th Century, A Dictionary of Art Terms and Art Today are used as standard texts throughout the world. Movements in Art since 1945, first published in 1969, has been continuously in print since that date. He has been curator of a number of exhibitions, including three Peter Moores Projects at the Walker Art Gallery Liverpool, (surveys of contemporary British art), The New British Painting (which toured US venues in 1988-90) and two artist retrospectives, Lin Emery and George Dunbar, both for the New Orleans Museum of Art. He has been a jury member for the John Moores prize exhibition in Liverpool, and for biennials in Cairo, Sharjah, Alexandria and Belgrade. He was curator of 'New British Art'. at the Orion Gallery in Ostend (April-June 2001), of 'New Classicism: Artists of the Ideal', at Palazzo Forti, Verona (AprilSeptember 2002), and of 'Gods Becoming Men' at the Frissiras Museum, Athens [July-September 2004).