A new and groundbreaking historical narrative, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera explores how technical innovations in Paris transformed the grand opera into a transcendent, dream-like audio-visual spectacle.
A new and groundbreaking historical narrative, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera explores how technical innovations in Paris transformed the grand opera into a transcendent, dream-like audio-visual spectacle.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Gabriela Cruz is a musicologist specializing in opera and musical theater in the nineteenth and early twentieth centuries. She teaches courses on nineteenth-century music, opera, and the music of the Iberian peninsula at the University of Michigan.
Inhaltsangabe
List of Illustrations and Note on Translations List of Music Examples Preface and Acknowledgments Introduction: The Modernity of Grand Opera 1. Opera and Beauty 2. Gaslight and Phantasmagoria at the Opéra 3. The Diorama, Apparitions and Dream Image in Robert le Diable 4. The Phantom Ship in Der fliegende Holländer and L'Africaine 5. The Poetics of Sensation in L'Africaine and Tristan und Isolde 6. Aida, Egyptomania and the After-Life of Grand Opera Works Cited
List of Illustrations and Note on Translations List of Music Examples Preface and Acknowledgments Introduction: The Modernity of Grand Opera 1. Opera and Beauty 2. Gaslight and Phantasmagoria at the Opéra 3. The Diorama, Apparitions and Dream Image in Robert le Diable 4. The Phantom Ship in Der fliegende Holländer and L'Africaine 5. The Poetics of Sensation in L'Africaine and Tristan und Isolde 6. Aida, Egyptomania and the After-Life of Grand Opera Works Cited
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