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"Drawing on vast and intricate research, Grand Opera lays out the entire history of the Metropolitan Opera--its triumphs and its catastrophes, its labor squabbles and its architecture, its impresarios and its stars. For anyone who cares about opera, this book is an essential reference guide and companion."--Wayne Koestenbaum, author of The Anatomy of Harpo Marx "The history of America's foremost opera company has been in need of refreshing, and the Affrons have done it well. For readers new to the story, they have given a highly readable and informed account. For those familiar with earlier…mehr

Produktbeschreibung
"Drawing on vast and intricate research, Grand Opera lays out the entire history of the Metropolitan Opera--its triumphs and its catastrophes, its labor squabbles and its architecture, its impresarios and its stars. For anyone who cares about opera, this book is an essential reference guide and companion."--Wayne Koestenbaum, author of The Anatomy of Harpo Marx "The history of America's foremost opera company has been in need of refreshing, and the Affrons have done it well. For readers new to the story, they have given a highly readable and informed account. For those familiar with earlier tellings, theirs is an invaluable complement. And it brings us all up to date, especially in the increasingly Byzantine areas of management and patronage, and their effects on artistic policy. An important contribution." --Conrad L. Osborne, critic and author "Grand Opera is the latest and certainly one of the most fascinating literary explorations of the colorful history of the Metropolitan Opera. In this thoroughly documented narrative, rich with succulent detail, Charles and Mirella Jona Affron provide the reader an engrossing account of the genesis of America's premiere opera company and its oft-tumultuous journey through time, proving in many ways the old adage that 'there's nothing new under the sun.' This is a great read, and an essential addition to my library."--George I. Shirley, J. Edgar Maddy Distinguished University Professor Emeritus of Music, University of Michigan; tenor, Metropolitan Opera, 1961-1973
Autorenporträt
Charles Affron, Professor Emeritus of French Literature at New York University, and Mirella Jona Affron, Professor Emerita of Cinema Studies at The College of Staten Island/CUNY, are coauthors of Best Years: Going to the Movies, 1945-1946 and Sets in Motion: Art Direction and Film Narrative. Charles Affron is the author of Lillian Gish: Her Legend, Her Life; Cinema and Sentiment; and Star Acting: Gish, Garbo, Davis. Together with Robert Lyons, the authors are series editors of Rutgers Films in Print and Rutgers Depth of Field.