Graphic Signs of Authority in Late Antiquity and the Early Middle Ages offers a cultural history of the graphic monogrammatic tools from antiquity to the Middle Ages. It examines the sign of the cross, christograms, monograms, and other similar devices, and how they were used during a time of great socio-political and religious change.
Graphic Signs of Authority in Late Antiquity and the Early Middle Ages offers a cultural history of the graphic monogrammatic tools from antiquity to the Middle Ages. It examines the sign of the cross, christograms, monograms, and other similar devices, and how they were used during a time of great socio-political and religious change.
Ildar Garipzanov is Professor of Medieval History at the University of Oslo. He received a PhD in classical history from Kazan State University (1991) and a PhD in medieval history from Fordham University, New York (2004). He was an Oliver Smithies Lecturer at Balliol College, Oxford (2012), a visiting fellow at Clare Hall College, Cambridge (2015/16), and a visiting member at the Institute for Advanced Study, Princeton (2016). He has authored and edited a number of books in late antique and medieval history, including the monograph The Symbolic Language of Authority in the Carolingian World (2008).
Inhaltsangabe
* Introduction * Part One: Graphic Signs of Divine Authority in Late Antiquity * 1: The Origins of Early Christian Graphic Signs * 2: Christograms as Signs of Authority in the Late Roman Empire * 3: The Sign of the Cross in Late Antiquity * Part Two: Monogrammatic Culture in Late Antique Culture * 4: Monograms, Early Christians, and Late Antique Culture * 5: Secular Monograms, Social Status, and Authority in the Late Roman World and Early Byzantium * 6: Public Monuments and the Monogrammatic Display of Authority in the Post-Roman World * Part Three: Graphic Signs of Authority in Early Medieval Europe * 7: Monogrammatic Culture in Pre-Carolingian Europe * 8: Monogrammatic Revival in the Carolingian World * 9: The Power of the Cross and Cruciform Devices in the Carolingian World * Conclusion * Bibliography and Index of Manuscripts
* Introduction * Part One: Graphic Signs of Divine Authority in Late Antiquity * 1: The Origins of Early Christian Graphic Signs * 2: Christograms as Signs of Authority in the Late Roman Empire * 3: The Sign of the Cross in Late Antiquity * Part Two: Monogrammatic Culture in Late Antique Culture * 4: Monograms, Early Christians, and Late Antique Culture * 5: Secular Monograms, Social Status, and Authority in the Late Roman World and Early Byzantium * 6: Public Monuments and the Monogrammatic Display of Authority in the Post-Roman World * Part Three: Graphic Signs of Authority in Early Medieval Europe * 7: Monogrammatic Culture in Pre-Carolingian Europe * 8: Monogrammatic Revival in the Carolingian World * 9: The Power of the Cross and Cruciform Devices in the Carolingian World * Conclusion * Bibliography and Index of Manuscripts
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