Graphic Violence provides an innovative introduction to the relationship between violence and visual media, discussing how media consumers and producers can think critically about and interact with violent visual content. It comprehensively surveys predominant theories of media violence and the research supporting and challenging them.
Graphic Violence provides an innovative introduction to the relationship between violence and visual media, discussing how media consumers and producers can think critically about and interact with violent visual content. It comprehensively surveys predominant theories of media violence and the research supporting and challenging them.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Emily D. Edwards is Professor in the Department of Media Studies at the University of North Carolina, Greensboro. She has produced or directed more than 17 films-from narrative features, to documentaries, to animations, to experimental films-and has also reported as a journalist for ABC and NBC affiliates in Alabama and Tennessee. Tristan Fuller is a Graduate of Savannah College of Art and Design. His current project is writing and illustrating a series to publish in 2020. For more information and more art, go to tristanfuller.com or visit his Instagram @tristanfuller42.
Inhaltsangabe
1. The Characteristics of Story: Conflict Chronicle and Violence 2. The Journeys of Brutal Stories 3. Helpless Audiences and The Magic Bullet 4. Obstinate Violence 5. Learning Violence: The Drama of Aggression 6. Mean Worlds and Remorseless Strangers With Guns 7. What an Audience Wants: Selection Gratification and Violence 8. Gender Hyper-Masculinity and the Violent Story 9. Terrorism War and Media Systems 10. The Violent Aesthetic
1. The Characteristics of Story: Conflict Chronicle and Violence 2. The Journeys of Brutal Stories 3. Helpless Audiences and The Magic Bullet 4. Obstinate Violence 5. Learning Violence: The Drama of Aggression 6. Mean Worlds and Remorseless Strangers With Guns 7. What an Audience Wants: Selection Gratification and Violence 8. Gender Hyper-Masculinity and the Violent Story 9. Terrorism War and Media Systems 10. The Violent Aesthetic
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