Adopts and promotes a bilingual focus on the Greek and Latin poetry of late antiquity. Sheds light on the literary developments regarded as typical of the period and explores the poetic and aesthetic ideals that affected individual Greek and Latin poems.
Adopts and promotes a bilingual focus on the Greek and Latin poetry of late antiquity. Sheds light on the literary developments regarded as typical of the period and explores the poetic and aesthetic ideals that affected individual Greek and Latin poems.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction. Walking the wire. Towards an inclusive approach to Latin and Greek late antique poetry Berenice Verhelst and Tine Scheijnen; Part I: 1. Rivaling song-contests and alternative Typhonomachies in Ovid and Nonnus: revisiting the issue of Latin influence on Greek poetry in Late Antiquity Katerina Carvounis and Sophia Papaioannou; 2. Greek and Roman epigrammatists in the later imperial period: Ausonius and Palladas in dialogue with the classical past Silvio Bär; 3. Allusion and referentiality in late antique epic Calum Maciver; 4. Speaking from the margins: paratexts in Greek and Latin poetry Aaron Pelttari; Part II: 5. The implosion of poetic genre in Late Antiquity Helen Kaufmann; 6. Common texts, (un)common aesthetics: the Greek and Latin cento in dialogue Brian Sowers; 7. A 'revival' of the 'epyllion' as a 'genre'? Genre awareness in short epic narrative from Late Antiquity Berenice Verhelst; Part III: 8. Saying the other. The poetics of personification in late antique epic Emma Greensmith; 9. Internal audiences in the New Testament epics of Juvencus and Nonnus Laura Miguélez-Cavero; 10. Colluthus and Dracontius: mythical traditions and innovations Marcelina Gilka; 11. Objects of the lusting gaze: viewing women as works of art in late antique poetry Sophie Schoess; 12. Metamorphosis and mutability in late antique epic Philip Hardie.
Introduction. Walking the wire. Towards an inclusive approach to Latin and Greek late antique poetry Berenice Verhelst and Tine Scheijnen; Part I: 1. Rivaling song-contests and alternative Typhonomachies in Ovid and Nonnus: revisiting the issue of Latin influence on Greek poetry in Late Antiquity Katerina Carvounis and Sophia Papaioannou; 2. Greek and Roman epigrammatists in the later imperial period: Ausonius and Palladas in dialogue with the classical past Silvio Bär; 3. Allusion and referentiality in late antique epic Calum Maciver; 4. Speaking from the margins: paratexts in Greek and Latin poetry Aaron Pelttari; Part II: 5. The implosion of poetic genre in Late Antiquity Helen Kaufmann; 6. Common texts, (un)common aesthetics: the Greek and Latin cento in dialogue Brian Sowers; 7. A 'revival' of the 'epyllion' as a 'genre'? Genre awareness in short epic narrative from Late Antiquity Berenice Verhelst; Part III: 8. Saying the other. The poetics of personification in late antique epic Emma Greensmith; 9. Internal audiences in the New Testament epics of Juvencus and Nonnus Laura Miguélez-Cavero; 10. Colluthus and Dracontius: mythical traditions and innovations Marcelina Gilka; 11. Objects of the lusting gaze: viewing women as works of art in late antique poetry Sophie Schoess; 12. Metamorphosis and mutability in late antique epic Philip Hardie.
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