Pat Easterling is Emeritus Regius Professor of Greek at the University of Cambridge, a Fellow of Newnham College and a Fellow of the British Academy. She was Professor of Greek at University College London from 1987 to 1994, and has also served as President of the Classical Association (1989/1990) and the Hellenic Society (1996-1999). In addition to serving as General Editor of the Cambridge Greek and Latin Classics ever since its foundation over thirty years ago, she has published an edition within this series of Sophocles'' Trachiniae (1982), co-edited, with B. M. W. Knox, Volume 1 of the Cambridge History of Classical Literature (1985) and edited The Cambridge Companion to Greek Tragedy (1997). She is currently working on an edition of Sophocles'' Oedipus at Colonus for the Cambridge Greek and Latin Classics series.
List of illustrations
List of contributors
Preface
Acknowledgements
List of abbreviations
Maps
Part I. The Art of the Actor: 1. The singing actors of antiquity Edith Hall
2. The musicians among the actors Peter Wilson
3. The use of the body by actors in tragedy and satyr-play Kostas Valakas
4. Towards a reconstruction of performance style Richard Green
5. Kallippides on the floor-sweepings: the limits of realism in classical acting and performance styles Eric Csapo
6. Looking for the actor's art in Aristotle G. M. Sifakis
7. Acting, action and words in New Comedy Eric Handley
8. 'Acting down': the ideology of Hellenistic performance Richard Hunter
Part II. The Professional World: 9. Nothing to do with the techn¿tai of Dionysus? Jane L. Lightfoot
10. Actors and actor-managers at Rome in the time of Plautus and Terence Peter G. McC. Brown
11. The masks on the propylon of the Sebasteion at Aphrodisias John Jory
12. Images of performance: new evidence from Ephesus Charlotte Roueché
13. Female entertainers in late antiquity Ruth Webb
14. Acting in the Byzantine theatre: evidence and problems Walter Puchner
Part III. The Idea of the Actor: 15. Actor as icon Pat Easterling
16. Scholars versus actors: text and performance in the Greek tragic scholia Thomas Falkner
17. Orator and/et actor Elaine Fantham
18. Acting and self-actualisation in imperial Rome: some death scenes Catharine Edwards
19. The subjectivity of Greek performance Ismene Lada-Richards
20. The ancient actor's presence since the Renaissance Edith Hall
Glossary
List of works cited
Index of major ancient passages cited
General index.
