The book provides a response to urgent calls to comprehend the cultural impact of immigration in Greece, and to determine the capacity of contemporary Greek cinema to challenge the logic of Fortress Europe.
The book provides a response to urgent calls to comprehend the cultural impact of immigration in Greece, and to determine the capacity of contemporary Greek cinema to challenge the logic of Fortress Europe.
Dr Philip Edward Phillis is an independent film scholar.
Inhaltsangabe
Introduction Chapter 1: Looking across (Greco-Albanian) borders: diasporic, migrant and supranational filmmaking Chapter 2: The anxieties of transnationalism Chapter 3: En route to Fortress Europe: migration and exilic life in Roadblocks Chapter 4: Tragic pathos and border syndrome: Constantine Giannaris's Hostage Chapter 5: Neither 'good' nor 'bad': Reinventing Albanian identities in Eduart and Mirupafshim Chapter 6: Others/mirrors Chapter 7: Our own people? Repatriation, citizenship, belonging Chapter 8: Migration without a face Chapter 9: Documenting crises: raising awareness through documentary film Bibliography
Introduction Chapter 1: Looking across (Greco-Albanian) borders: diasporic, migrant and supranational filmmaking Chapter 2: The anxieties of transnationalism Chapter 3: En route to Fortress Europe: migration and exilic life in Roadblocks Chapter 4: Tragic pathos and border syndrome: Constantine Giannaris's Hostage Chapter 5: Neither 'good' nor 'bad': Reinventing Albanian identities in Eduart and Mirupafshim Chapter 6: Others/mirrors Chapter 7: Our own people? Repatriation, citizenship, belonging Chapter 8: Migration without a face Chapter 9: Documenting crises: raising awareness through documentary film Bibliography
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