This volume focuses on the adaptation of Greek tragedy between 1970 and 2005 in order to interrogate the relationship between tragedy and postmodernism; analysis of a range of adaptations from this period demonstrates intertextual engagements with prototype texts that have much in common with the main ideas expressed in poststructuralist thought.
This volume focuses on the adaptation of Greek tragedy between 1970 and 2005 in order to interrogate the relationship between tragedy and postmodernism; analysis of a range of adaptations from this period demonstrates intertextual engagements with prototype texts that have much in common with the main ideas expressed in poststructuralist thought.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Eleftheria Ioannidou is a Lecturer in Theatre/Performance at the University of Groningen in the Netherlands. She previously held a Humboldt Research Fellowship at the Freie Universität, Berlin from 2010 until 2012 and a lectureship in Drama and Theatre Arts at the University of Birmingham from 2012 until 2016. She studied theatre in Athens and at Royal Holloway, London, and read for a doctorate at the University of Oxford, working on the adaptation of Greek tragic texts and postmodernism. Her research is concerned with the reception of Greek tragedy in twentieth-century theatre and theory, with a particular focus in her current work on the performance of Greek tragedy and the use of ancient theatre spaces under fascist regimes in inter-war Europe.
Inhaltsangabe
Frontmatter Author's Note 0: Introduction: Tragic (Trans)formations: Greek Tragedy and Postmodernism 1: Tragedy and Modern Critical Debate 2: Viewing through the Frames of Tragedy 3: Tragic Absences and Metatheatrical Performances 4: From Author-God to Textual Communion 5: Textual Fragments and Sexual Politics 6: Conclusion Endmatter Bibliography Index
Frontmatter Author's Note 0: Introduction: Tragic (Trans)formations: Greek Tragedy and Postmodernism 1: Tragedy and Modern Critical Debate 2: Viewing through the Frames of Tragedy 3: Tragic Absences and Metatheatrical Performances 4: From Author-God to Textual Communion 5: Textual Fragments and Sexual Politics 6: Conclusion Endmatter Bibliography Index
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