This study examines the ways in which audiences in present-day Greece and Turkey perceive and use the Greek popular song genre rebetiko to cultivate cultural habits and identities. Rebetiko has been associated chiefly with the lower strata of Greek society, but Daniel Koglin explores aspects of rebetiko which intellectual elites on both sides of the Aegean Sea have adapted to their own world views in our age of globalized consumption. Combining qualitative and quantitative methods from ethnomusicology, ritual studies, conceptual history and music psychology, he casts light on the role played…mehr
This study examines the ways in which audiences in present-day Greece and Turkey perceive and use the Greek popular song genre rebetiko to cultivate cultural habits and identities. Rebetiko has been associated chiefly with the lower strata of Greek society, but Daniel Koglin explores aspects of rebetiko which intellectual elites on both sides of the Aegean Sea have adapted to their own world views in our age of globalized consumption. Combining qualitative and quantitative methods from ethnomusicology, ritual studies, conceptual history and music psychology, he casts light on the role played by national perceptions in the processes of music production and consumption.
Daniel Koglin teaches music theory and flute instruments at a music school for Byzantine and traditional Greek music in Athens. He has authored Gelebtes Spiel - gespieltes Leben (2002) and several journal and book articles on Greek music. He holds a PhD degree in musicology from Humboldt University of Berlin.
Inhaltsangabe
Glossary Index List of tables List of musical transcriptions Preface Introduction - The Discursive Construction of Rebetiko Chapter 1 - Discursive Mode I (Myth): Telling Tales of Rebetiko Chapter 2 - Discursive Mode II (Ritual): Performing Rites of Rebetiko Chapter 3 - Rebetiko in Istanbul: A View from the Bosporus Chapter 4 - The Semantic Space of Rebetiko Chapter 5 - Rebetiko as a Conceptual and Experiential System AppendixReferences List of figures
Glossary Index List of tables List of musical transcriptions Preface Introduction - The Discursive Construction of Rebetiko Chapter 1 - Discursive Mode I (Myth): Telling Tales of Rebetiko Chapter 2 - Discursive Mode II (Ritual): Performing Rites of Rebetiko Chapter 3 - Rebetiko in Istanbul: A View from the Bosporus Chapter 4 - The Semantic Space of Rebetiko Chapter 5 - Rebetiko as a Conceptual and Experiential System AppendixReferences List of figures
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