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Rain on iron rooftops. A radio streaming the latest hit songs. It's the early 1950s. The baby boom. Valarie is a talkative, singing, slanging, pregnant daughter of the slums. Gilbert, her husband, is a well-spoken son of a landed family. They already have three kids. Gilbert has just taken a job as paymaster at a coal mine. The family is about to start life in a green and black and red township on the West Coast. A little boy is born, almost in a taxi, and named Stevan. Green Grey rain tells the story of the first years of a little boy dreaming and singing, wondering and wishing, in the bush,…mehr

Produktbeschreibung
Rain on iron rooftops. A radio streaming the latest hit songs. It's the early 1950s. The baby boom. Valarie is a talkative, singing, slanging, pregnant daughter of the slums. Gilbert, her husband, is a well-spoken son of a landed family. They already have three kids. Gilbert has just taken a job as paymaster at a coal mine. The family is about to start life in a green and black and red township on the West Coast. A little boy is born, almost in a taxi, and named Stevan. Green Grey rain tells the story of the first years of a little boy dreaming and singing, wondering and wishing, in the bush, rain, rust and sooty streets of 1950s Blackball. A story told by the boy. A story told too by the hit songs he hears on the radio. And a story told by his mother - someone who, with her sister, has already spoken to us in the pages of Oracles and Miracles. Stevan is one of New Zealand's most prolific writers with 24 books published (including histories, novels, and true tales) and numerous articles, essays, and short stories. He is an award-winning author, a best-selling author, yet still a humble and engaging author.
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Autorenporträt
Stevan Eldred-Grigg is an award-winning writer, author of some of the best-selling works of New Zealand history and of leading New Zealand novels. His works of fiction and non-fiction explore the West Coast, Canterbury, the wider South Island and the whole of New Zealand. He also writes about Samoa, Shanghai, Mexico and Australia.As a gay writer, a democratic writer, a comic writer, a satirical writer and a writer of tragedy, he takes on many topics. He is an observer and critic of inequality. Often he probes inequality by using the lens of social class. Or he does the probing by asking questions about gender and race relations. He has looked at race, gender and class in many contexts.Workplace is one sort of context: he has written about people trying to find the meaning of their lives while working in department stores and factories, on sheep stations and goldfields, in military barracks and on battlefields, and above all in kitchens in the suburbs. He looks at the rich and the poor. He is as much an expert on the working class of Aotearoa as he is on the colonial gentry.Another context for many of his books is the body. Kiwi sex life plays a lively role in several of his novels and history books, as do drink and drugs.