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Inspired by Hegelâ s invocation of philosophy as a painting of â grey on greyâ , this collection of essays explores the rich scope of ideas implicated by grey, as a colour and a philosophical concept.

Produktbeschreibung
Inspired by Hegelâ s invocation of philosophy as a painting of â grey on greyâ , this collection of essays explores the rich scope of ideas implicated by grey, as a colour and a philosophical concept.
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Autorenporträt
Kamini Vellodi is Senior Lecturer in Philosophy, Theory and History of Art at Edinburgh College of Art, University of Edinburgh. She is the author of Tintoretto's Difference: Deleuze, Diagrammatics and Art History (Bloomsbury, 2019). Her research interests lie at the interstices of continental philosophy, art historiography and theories of art history and her writing has appeared in journals including Art History, Word and Image , Parrhesia, Zeitschift für Kunstgeschichte, The Journal of Art Historiography and Deleuze and Guattari Studies. Aron Vinegar is Professor in the Department of Philosophy, Classics, History of Art and Ideas (IFIKK) at the University of Oslo. He works at the intersections of art history, visual studies, philosophy and aesthetics. His most recent book is Subject Matter: The Anaesthetics of Habit and the Logic of Breakdown (Short Circuits Series, The MIT Press, 2023) and his co-edited books include Heidegger and the Work of Art History (Routledge, 2014)