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Presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Tony Bolden explores what it means for music, or any cultural artifact, to be funky.

Produktbeschreibung
Presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Tony Bolden explores what it means for music, or any cultural artifact, to be funky.
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Autorenporträt
Tony Bolden is associate professor of African and African American studies at the University of Kansas. His teaching and research interests include African American music, African American literature, cultural studies, African literature, and ethnic American literature. He has published extensively on funk and blues.