By examining Guaman Poma's verbal and visual engagement with the institutions of Western art and culture, Rolena Adorno shows how he performed a comprehensive critique of the colonialist discourse of religion, political theory, and history.
By examining Guaman Poma's verbal and visual engagement with the institutions of Western art and culture, Rolena Adorno shows how he performed a comprehensive critique of the colonialist discourse of religion, political theory, and history.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
1. Acknowledgments 2. Introduction to the Second Edition: Contextualizing the Nueva coronica y buen gobierno 3. Guaman Poma in the Documentary Record 4. The Production and Facsimile Reproduction of the Autograph Manuscript 5. Recent Advances in the Study of Guaman Poma's Visual and Verbal Art 6. Guaman Poma in the 1590s * The Expediente Prado Tello * Guaman Poma in the Expediente Prado Tello * Guaman Poma versus Don Domingo Jauli and the Chachapoyas * The Conclusion of the Land-Title Litigation 7. Guaman Poma in 1600: The Sentence of Exile from Huamanga 8. Chupas and the Chachapoyas in the Nueva coronica y buen gobierno 9. Mestizaje in the Nueva coronica y buen gobierno 10. Guaman Poma's Biography Reconsidered 11. Writing and Religion: The Visita Report 12. An Anticipated Glimpse into the Artist's Studio 13. Introduction * History Writing and Polemic * Challenging the Canon 14. 1. Contradicting the Chronicles of Conquest * Guaman Poma's Exploitation of Written Histories * Respect for History * The Dominican Philosophy of Conquest * The Dramatization of a Hypothesis * The Present Overwhelms the Past 15. 2. Searching for a Heroic Conception * Historical Truth and Moral Vision * Biographies of Incas and Kings * The Prologue Always Comes Last * The Nueva Coronica as Epic Story 16. 3. From Story to Sermon * Granadine Strategies * On Moving the Reader's Affections * The Literature of Conversion * A Theory of Cross-Cultural Communication * The Privileged Role of Invention * The Simile of Lucifer * The Voice and Character of the Preacher * The Sermon Overtakes the Story 17. 4. Icons in Space: The Silent Orator * Baroque Sensibilities * Visual Representation and Suppression * The Symbolic Values of Pictorial Space * Lines of Authority and Hierarchy * Disorder on the Horizontal Axis * Paradigms Lost: The Reversed Diagonal and the Empty Center 18. 5. Mediating among Many Worlds * Allegory, Satire, and the Sermon * Of Caciques and Coyas * Inside the Coya's Chamber * The Present in the Past * The Author as Hero * Guaman Poma's Final Critique 19. Notes 20. Bibliography 21. Index
1. Acknowledgments 2. Introduction to the Second Edition: Contextualizing the Nueva coronica y buen gobierno 3. Guaman Poma in the Documentary Record 4. The Production and Facsimile Reproduction of the Autograph Manuscript 5. Recent Advances in the Study of Guaman Poma's Visual and Verbal Art 6. Guaman Poma in the 1590s * The Expediente Prado Tello * Guaman Poma in the Expediente Prado Tello * Guaman Poma versus Don Domingo Jauli and the Chachapoyas * The Conclusion of the Land-Title Litigation 7. Guaman Poma in 1600: The Sentence of Exile from Huamanga 8. Chupas and the Chachapoyas in the Nueva coronica y buen gobierno 9. Mestizaje in the Nueva coronica y buen gobierno 10. Guaman Poma's Biography Reconsidered 11. Writing and Religion: The Visita Report 12. An Anticipated Glimpse into the Artist's Studio 13. Introduction * History Writing and Polemic * Challenging the Canon 14. 1. Contradicting the Chronicles of Conquest * Guaman Poma's Exploitation of Written Histories * Respect for History * The Dominican Philosophy of Conquest * The Dramatization of a Hypothesis * The Present Overwhelms the Past 15. 2. Searching for a Heroic Conception * Historical Truth and Moral Vision * Biographies of Incas and Kings * The Prologue Always Comes Last * The Nueva Coronica as Epic Story 16. 3. From Story to Sermon * Granadine Strategies * On Moving the Reader's Affections * The Literature of Conversion * A Theory of Cross-Cultural Communication * The Privileged Role of Invention * The Simile of Lucifer * The Voice and Character of the Preacher * The Sermon Overtakes the Story 17. 4. Icons in Space: The Silent Orator * Baroque Sensibilities * Visual Representation and Suppression * The Symbolic Values of Pictorial Space * Lines of Authority and Hierarchy * Disorder on the Horizontal Axis * Paradigms Lost: The Reversed Diagonal and the Empty Center 18. 5. Mediating among Many Worlds * Allegory, Satire, and the Sermon * Of Caciques and Coyas * Inside the Coya's Chamber * The Present in the Past * The Author as Hero * Guaman Poma's Final Critique 19. Notes 20. Bibliography 21. Index
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