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"Every man desires to live long, but no man wishes to be old." ¿As a survivor of a shipwreck, Lemuel Gulliver encounters some entirely absurd things - at first, he is in the land of Lilliputians, the tiny men; but later he ventures to the land of the giants. The tale continues to oscillate between the extremes as he meets immensely wise and scientifically aware people before being faced with excessive self-preoccupation and ignorance. Whatever that societal order, Gulliver consistently is a witness to the abuse of power. The satire often overemphasises the contraries in order to accentuate our…mehr

Produktbeschreibung
"Every man desires to live long, but no man wishes to be old." ¿As a survivor of a shipwreck, Lemuel Gulliver encounters some entirely absurd things - at first, he is in the land of Lilliputians, the tiny men; but later he ventures to the land of the giants. The tale continues to oscillate between the extremes as he meets immensely wise and scientifically aware people before being faced with excessive self-preoccupation and ignorance. Whatever that societal order, Gulliver consistently is a witness to the abuse of power. The satire often overemphasises the contraries in order to accentuate our individual and societal flaws and proneness to being corrupt and biased. In such a distinct way it rebukes human narrow-mindedness and accentuates our subjectivity. The novel's multivalence has made it a celebrated children's bedtime read - in particular, the first book - as well as a treasury of satirical metaphors and allusions that expose human and societal flaws in general and those of the English nobility in particular. The novel is an answer to Robinson Crusoe - it mocks Defoe's protagonist's too-good-to-be-true human aptness and reason. While some might find Swift's modus operandi misanthropic, others will see him as a pragmatist who exemplifies how the excesses and polarities are detrimental and yet inescapable. Silly and bizarre, thought-provoking and alarming, this work is meant to be read and re-read as equally a jolly story and a philosophical or political collage of insights.
Autorenporträt
Jonathan Swift (30 November 1667 - 19 October 1745) was an Anglo-Irish satirist, essayist, political pamphleteer (first for the Whigs, then for the Tories), poet and cleric who became Dean of St Patrick's Cathedral, Dublin. Swift is remembered for works such as A Tale of a Tub (1704), An Argument Against Abolishing Christianity (1712), Gulliver's Travels (1726), and A Modest Proposal (1729). He is regarded by the Encyclopædia Britannica as the foremost prose satirist in the English language, and is less well known for his poetry. He originally published all of his works under pseudonyms - such as Lemuel Gulliver, Isaac Bickerstaff, M. B. Drapier - or anonymously. He was a master of two styles of satire, the Horatian and Juvenalian styles. His deadpan, ironic writing style, particularly in A Modest Proposal, has led to such satire being subsequently termed "Swiftian." Swift was part of the inner circle of the Tory government, and often acted as mediator between Henry St John (Viscount Bolingbroke), the secretary of state for foreign affairs (1710-15), and Robert Harley (Earl of Oxford), lord treasurer and prime minister (1711-1714). Swift recorded his experiences and thoughts during this difficult time in a long series of letters, collected and published after his death as A Journal to Stella. On 19 October 1745, Swift, at nearly 80, died. After being laid out in public view for the people of Dublin to pay their last respects, he was buried in his own cathedral, in accordance with his wishes. The bulk of his fortune was left to found a hospital for the mentally ill, which opened in 1757, and which still exists as a psychiatric hospital.