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Hamlet, inspired by the well-known Shakespeare tragedy, is number ten in Liszt's series of thirteen tone poems for orchestra. It was composed in 1858 during Liszt's tenure in Weimar but did not receive its premiere for 18 years - on 2 July 1876 in Sonderhausen. Like all but the last of his thirteen tone poems, this is dedicated to his longtime companion Carolyne zu Sayn-Wittengenstein. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fifth volume of the Liszt-Stiftung edition, published in 1909. In contrast so many of the on-demand scores now…mehr

Produktbeschreibung
Hamlet, inspired by the well-known Shakespeare tragedy, is number ten in Liszt's series of thirteen tone poems for orchestra. It was composed in 1858 during Liszt's tenure in Weimar but did not receive its premiere for 18 years - on 2 July 1876 in Sonderhausen. Like all but the last of his thirteen tone poems, this is dedicated to his longtime companion Carolyne zu Sayn-Wittengenstein. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fifth volume of the Liszt-Stiftung edition, published in 1909. In contrast so many of the on-demand scores now available this one comes with all the pages with each image thoroughly checked to make sure it is readable, then beautifully printed on quality stock with an attractive glossy cover. Also included is an informative introduction by Liszt scholar Soren Afshar (Funper), a major contributor to the vast collection of Liszt pieces on IMSLP. Matching large conductor score and orchestra parts are also available from Serenissima Music.
Autorenporträt
Franz Liszt (22 October 1811 - 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor, and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded.Liszt first gained renown during the early nineteenth century for his virtuoso skill as a pianist.[4] Regarded as one of the greatest pianists of all time, he toured Europe during the 1830s and 1840s, often playing for charity.[5] In these years, Liszt developed a reputation for his powerful performances as well as his physical attractiveness. In what was dubbed "Lisztomania", he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who preceded him-whereas earlier performers mostly served the upper class, Liszt attracted a more general audience. During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composers of his time, including Frédéric Chopin, Charles-Valentin Alkan, César Franck, Richard Wagner, Hector Berlioz, Robert Schumann, Clara Schumann, Camille Saint-Saëns, Edvard Grieg, Ole Bull, Joachim Raff, Mikhail Glinka, and Alexander Borodin.