Sanford Weiss
Handbook of Forensic Photography
Sanford Weiss
Handbook of Forensic Photography
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Handbook of Forensic Photography is the definitive reference for the use of photography in the capture and presentation of forensic evidence. World-renowned contributors provide the police and forensic community with the most up-to-date techniques, advances in technology, and best practices.
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Handbook of Forensic Photography is the definitive reference for the use of photography in the capture and presentation of forensic evidence. World-renowned contributors provide the police and forensic community with the most up-to-date techniques, advances in technology, and best practices.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 706
- Erscheinungstermin: 26. August 2024
- Englisch
- Abmessung: 209mm x 281mm x 38mm
- Gewicht: 2172g
- ISBN-13: 9780367682262
- ISBN-10: 0367682265
- Artikelnr.: 71230325
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 706
- Erscheinungstermin: 26. August 2024
- Englisch
- Abmessung: 209mm x 281mm x 38mm
- Gewicht: 2172g
- ISBN-13: 9780367682262
- ISBN-10: 0367682265
- Artikelnr.: 71230325
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Sanford L. Weiss, BCEP, is the author of Forensic Photography: The Importance of Accuracy Published by Pearson-Prentice Hall (2008). Mr. Weiss is also an Evidence Photographer's International Council (EPIC) Board Certified Forensic Evidence Photographer, a Competitive Intelligence Specialist, and was an Illinois State licensed private detective (#115-001807) and head of the Packer Detective Agency (#12002454). He holds a State of Illinois Certified Teacher rating (#1535733) for any and all photography related subjects. He worked for Packer Engineering, Inc., in Naperville, Illinois, from 1980 to 2009 for whom he documented the artifacts and scenes of hundreds of investigations and carried out complex human vision studies for almost 30 years. He also spent time performing Competitive Intelligence Analysis, being corporate librarian, then graphic artist, marketing specialist, and corporate historian. He is an expert in photo-lab management and all aspects of photographic chemical processing and was in charge of the Packer Engineering Photo Laboratory for over 17 years. Mr. Weiss has a B.S. degree in management from National Louis University. He has taught in many venues and on many levels for over 30 years, from government agencies to Universities. He is regularly published on forensic photography in national periodicals, including Evidence Technology Magazine. In 2003 Mr. Weiss received the R. C. Hakanson, Evidence Photographer of the Year Award from EPIC, in 2005 the Nikon Evidence Photographer of the Year Award, then in 2006 he was presented the prestigious Lifetime Achievement Award in forensic photography from Nikon USA, one of the world's leading companies in Professional Photographic Products and Technologies. When he began his career in forensic photography, he was a beginner and the options for learning the craft were limited. In his case the on the job training consisted of watching, talking, asking, and mostly concentrating on the problems he was tasked. He quickly learned there were similarities in all projects and experience was a great teacher. He learned, one must have a passion for figuring out how to most accurately document evidence photographically. To be successful in this work, any other person must have that passion, too. Since 2009 he has been the Principal of Sandy Weiss Forensic Photography Consulting. From 2010 to 2016 he taught accredited online courses in forensic Photography for the University of California Davis Extension Service.
1. Forensic Photography: The Purpose. 2. Fair and Accurate Representation.
3. Development of Agency Standard Operating Procedures. 4. Getting Ready to
Go. 4A. Using a Tripod. 4B. Mirrors and Go-Kits. 5. Visual Storytelling. 6.
Digital Processing of Evidentiary Photography. 6A. Impression and Pattern
Evidence. 7. Necessary Hardware: Operating, Holding, and Focusing. 7A.
Light Metering for Exposure. 7B. High Dynamic Range (HDR). 8. Photography
in Technical Investigations. 9. Three-Dimensional Photography and Its
Applications. 10. Human Vision and Low-Light Photography. 10A. Existing
Light Photography. 10B. Painting Evidence with Light. 10C. Dealing with
Retroreflective Light. 11. Macrophotography. 12. Image Rectification and
Angular Correction. 13. Firearms and Toolmarks. 13A. Bullet Trajectory
Laser Photography. 14. Questioned Documents. 14A. Photography and Human
Vision. 15. Clandestine or Surveillance Photography. 16. Videography. 17.
Surveillance Videos Capture the Path of a Killer (Forensic Analysis). 18.
Working the Field/Accident Scene. 19. Laser Scanning. 20. Large Scene
Investigation. 21. Photographing Crime Scenes. 21A. Public and Private
Scene Investigations: Fire, Crash, and Crime Scenes. 21B. Crime Scene
Photogrammetry. 21C. Single-Photo Perpective Photogrammetry. 22. Aerial
Coverage from Light Planes and Helicopters. 23. Drone Photography. 24.
Inspection for Auditing Conditions. 25. Water and Underwater Photography.
26. Forensic Fire and Explosion Photography. 27. Injury Photography. 28.
Documenting Findings in Interpersonal Violence. 29. Autopsy Photography.
30. Entomological Photograph Protocols. 31. Forensic Odontology. 32.
Photography and Forensic Archaeology. 33. Forensic Anthropology and
Photography. 33A. Forensic Facial Analysis. 33B. Forensic Age Progression.
33C. Forensic Facial Reconstruction and Postpartum Depiction. 34.
Photography for Publication. 35. The Role of the Forensic Scientist as
Expert Witness in Court. 36. Technology for Courtroom Displays and
Demonstrative Presentations.and Expert Witness. 37. Teaching Forensic
Photography in the 21st Century.
3. Development of Agency Standard Operating Procedures. 4. Getting Ready to
Go. 4A. Using a Tripod. 4B. Mirrors and Go-Kits. 5. Visual Storytelling. 6.
Digital Processing of Evidentiary Photography. 6A. Impression and Pattern
Evidence. 7. Necessary Hardware: Operating, Holding, and Focusing. 7A.
Light Metering for Exposure. 7B. High Dynamic Range (HDR). 8. Photography
in Technical Investigations. 9. Three-Dimensional Photography and Its
Applications. 10. Human Vision and Low-Light Photography. 10A. Existing
Light Photography. 10B. Painting Evidence with Light. 10C. Dealing with
Retroreflective Light. 11. Macrophotography. 12. Image Rectification and
Angular Correction. 13. Firearms and Toolmarks. 13A. Bullet Trajectory
Laser Photography. 14. Questioned Documents. 14A. Photography and Human
Vision. 15. Clandestine or Surveillance Photography. 16. Videography. 17.
Surveillance Videos Capture the Path of a Killer (Forensic Analysis). 18.
Working the Field/Accident Scene. 19. Laser Scanning. 20. Large Scene
Investigation. 21. Photographing Crime Scenes. 21A. Public and Private
Scene Investigations: Fire, Crash, and Crime Scenes. 21B. Crime Scene
Photogrammetry. 21C. Single-Photo Perpective Photogrammetry. 22. Aerial
Coverage from Light Planes and Helicopters. 23. Drone Photography. 24.
Inspection for Auditing Conditions. 25. Water and Underwater Photography.
26. Forensic Fire and Explosion Photography. 27. Injury Photography. 28.
Documenting Findings in Interpersonal Violence. 29. Autopsy Photography.
30. Entomological Photograph Protocols. 31. Forensic Odontology. 32.
Photography and Forensic Archaeology. 33. Forensic Anthropology and
Photography. 33A. Forensic Facial Analysis. 33B. Forensic Age Progression.
33C. Forensic Facial Reconstruction and Postpartum Depiction. 34.
Photography for Publication. 35. The Role of the Forensic Scientist as
Expert Witness in Court. 36. Technology for Courtroom Displays and
Demonstrative Presentations.and Expert Witness. 37. Teaching Forensic
Photography in the 21st Century.
1. Forensic Photography: The Purpose. 2. Fair and Accurate Representation.
3. Development of Agency Standard Operating Procedures. 4. Getting Ready to
Go. 4A. Using a Tripod. 4B. Mirrors and Go-Kits. 5. Visual Storytelling. 6.
Digital Processing of Evidentiary Photography. 6A. Impression and Pattern
Evidence. 7. Necessary Hardware: Operating, Holding, and Focusing. 7A.
Light Metering for Exposure. 7B. High Dynamic Range (HDR). 8. Photography
in Technical Investigations. 9. Three-Dimensional Photography and Its
Applications. 10. Human Vision and Low-Light Photography. 10A. Existing
Light Photography. 10B. Painting Evidence with Light. 10C. Dealing with
Retroreflective Light. 11. Macrophotography. 12. Image Rectification and
Angular Correction. 13. Firearms and Toolmarks. 13A. Bullet Trajectory
Laser Photography. 14. Questioned Documents. 14A. Photography and Human
Vision. 15. Clandestine or Surveillance Photography. 16. Videography. 17.
Surveillance Videos Capture the Path of a Killer (Forensic Analysis). 18.
Working the Field/Accident Scene. 19. Laser Scanning. 20. Large Scene
Investigation. 21. Photographing Crime Scenes. 21A. Public and Private
Scene Investigations: Fire, Crash, and Crime Scenes. 21B. Crime Scene
Photogrammetry. 21C. Single-Photo Perpective Photogrammetry. 22. Aerial
Coverage from Light Planes and Helicopters. 23. Drone Photography. 24.
Inspection for Auditing Conditions. 25. Water and Underwater Photography.
26. Forensic Fire and Explosion Photography. 27. Injury Photography. 28.
Documenting Findings in Interpersonal Violence. 29. Autopsy Photography.
30. Entomological Photograph Protocols. 31. Forensic Odontology. 32.
Photography and Forensic Archaeology. 33. Forensic Anthropology and
Photography. 33A. Forensic Facial Analysis. 33B. Forensic Age Progression.
33C. Forensic Facial Reconstruction and Postpartum Depiction. 34.
Photography for Publication. 35. The Role of the Forensic Scientist as
Expert Witness in Court. 36. Technology for Courtroom Displays and
Demonstrative Presentations.and Expert Witness. 37. Teaching Forensic
Photography in the 21st Century.
3. Development of Agency Standard Operating Procedures. 4. Getting Ready to
Go. 4A. Using a Tripod. 4B. Mirrors and Go-Kits. 5. Visual Storytelling. 6.
Digital Processing of Evidentiary Photography. 6A. Impression and Pattern
Evidence. 7. Necessary Hardware: Operating, Holding, and Focusing. 7A.
Light Metering for Exposure. 7B. High Dynamic Range (HDR). 8. Photography
in Technical Investigations. 9. Three-Dimensional Photography and Its
Applications. 10. Human Vision and Low-Light Photography. 10A. Existing
Light Photography. 10B. Painting Evidence with Light. 10C. Dealing with
Retroreflective Light. 11. Macrophotography. 12. Image Rectification and
Angular Correction. 13. Firearms and Toolmarks. 13A. Bullet Trajectory
Laser Photography. 14. Questioned Documents. 14A. Photography and Human
Vision. 15. Clandestine or Surveillance Photography. 16. Videography. 17.
Surveillance Videos Capture the Path of a Killer (Forensic Analysis). 18.
Working the Field/Accident Scene. 19. Laser Scanning. 20. Large Scene
Investigation. 21. Photographing Crime Scenes. 21A. Public and Private
Scene Investigations: Fire, Crash, and Crime Scenes. 21B. Crime Scene
Photogrammetry. 21C. Single-Photo Perpective Photogrammetry. 22. Aerial
Coverage from Light Planes and Helicopters. 23. Drone Photography. 24.
Inspection for Auditing Conditions. 25. Water and Underwater Photography.
26. Forensic Fire and Explosion Photography. 27. Injury Photography. 28.
Documenting Findings in Interpersonal Violence. 29. Autopsy Photography.
30. Entomological Photograph Protocols. 31. Forensic Odontology. 32.
Photography and Forensic Archaeology. 33. Forensic Anthropology and
Photography. 33A. Forensic Facial Analysis. 33B. Forensic Age Progression.
33C. Forensic Facial Reconstruction and Postpartum Depiction. 34.
Photography for Publication. 35. The Role of the Forensic Scientist as
Expert Witness in Court. 36. Technology for Courtroom Displays and
Demonstrative Presentations.and Expert Witness. 37. Teaching Forensic
Photography in the 21st Century.