Stories are everywhere, from fiction across media to politics and personal identity. Handbook of Narrative Analysis sorts out both traditional and recent narrative theories, providing the necessary skills to interpret any story.
Stories are everywhere, from fiction across media to politics and personal identity. Handbook of Narrative Analysis sorts out both traditional and recent narrative theories, providing the necessary skills to interpret any story.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Luc Herman is a professor of American literature and narrative theory at the University of Antwerp. He is the coauthor and coeditor of books on Thomas Pynchon and is the coeditor with Bart Vervaeck, Lars Bernaerts, and Dirk De Geest of Stories and Minds: Cognitive Approaches to Literary Narrative (Nebraska, 2013). Bart Vervaeck is a professor of Dutch literature and narrative theory at the University of Leuven. He is the author of monographs on postmodern fiction and on literary descents into hell.
Inhaltsangabe
List of Illustrations Acknowledgments Introduction 1. Traditional Questions 2. New Questions Chapter 1. Before and Surrounding Structuralism 1. Story and Plot 2. Telling and Showing 3. Author and Narrator 4. Narrator and Reader 5. Consciousness and Speech 6. Perception and Speech Chapter 2. Structuralism 1. Story 1.1. Events 1.2. Actants 1.3. Setting 2. Narrative 2.1. Time 2.2. Character 2.3. Focalization 3. Narration 3.1. Narrating 3.2. Consciousness Representation Chapter 3. Postclassical Narratology 1. Broadening Conceptions of the Narrative Text 1.1. Broadening the Medium: Intermedial Narratology 1.2. Broadening in Time: Diachronic Narratology 1.3. Broadening the Fictional World 2. Communicative Approaches 2.1. Rhetorical Narratology 2.2. Cognitive Narratology 3. Narratology and Ideology 3.1. Narrative Ethics 3.2. Feminist and Queer Narratology 3.3. Postcolonial Narratology 3.4. Cultural Narratology and Socio-narratology 3.4.1. Socio-narratology 3.4.2. Cultural Narratology 4. Everyday Life as a Narrative Process 4.1. Postmodern Narratology 4.2. Natural Narratology 4.3. Unnatural Narratology Appendix A: “Pegasian” Charlotte Mutsaers Appendix B: “The Map” Gerrit Krol Appendix C: “City” Wasco Notes Bibliography Index
List of Illustrations Acknowledgments Introduction 1. Traditional Questions 2. New Questions Chapter 1. Before and Surrounding Structuralism 1. Story and Plot 2. Telling and Showing 3. Author and Narrator 4. Narrator and Reader 5. Consciousness and Speech 6. Perception and Speech Chapter 2. Structuralism 1. Story 1.1. Events 1.2. Actants 1.3. Setting 2. Narrative 2.1. Time 2.2. Character 2.3. Focalization 3. Narration 3.1. Narrating 3.2. Consciousness Representation Chapter 3. Postclassical Narratology 1. Broadening Conceptions of the Narrative Text 1.1. Broadening the Medium: Intermedial Narratology 1.2. Broadening in Time: Diachronic Narratology 1.3. Broadening the Fictional World 2. Communicative Approaches 2.1. Rhetorical Narratology 2.2. Cognitive Narratology 3. Narratology and Ideology 3.1. Narrative Ethics 3.2. Feminist and Queer Narratology 3.3. Postcolonial Narratology 3.4. Cultural Narratology and Socio-narratology 3.4.1. Socio-narratology 3.4.2. Cultural Narratology 4. Everyday Life as a Narrative Process 4.1. Postmodern Narratology 4.2. Natural Narratology 4.3. Unnatural Narratology Appendix A: “Pegasian” Charlotte Mutsaers Appendix B: “The Map” Gerrit Krol Appendix C: “City” Wasco Notes Bibliography Index
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