Hands on Media History
A new methodology in the humanities and social sciences
Herausgeber: Ellis, John; Hall, Nick
Hands on Media History
A new methodology in the humanities and social sciences
Herausgeber: Ellis, John; Hall, Nick
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Hands on Media History explores the whole range of hands on history techniques for the first time, offering both practical guides and general perspectives. It covers a range of media, including analogue and digital media; film, television, video, gaming, photography and recorded sound.
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Hands on Media History explores the whole range of hands on history techniques for the first time, offering both practical guides and general perspectives. It covers a range of media, including analogue and digital media; film, television, video, gaming, photography and recorded sound.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 258
- Erscheinungstermin: 8. Oktober 2019
- Englisch
- Abmessung: 240mm x 161mm x 19mm
- Gewicht: 557g
- ISBN-13: 9781138577480
- ISBN-10: 1138577480
- Artikelnr.: 58059359
- Verlag: Routledge
- Seitenzahl: 258
- Erscheinungstermin: 8. Oktober 2019
- Englisch
- Abmessung: 240mm x 161mm x 19mm
- Gewicht: 557g
- ISBN-13: 9781138577480
- ISBN-10: 1138577480
- Artikelnr.: 58059359
Nick Hall lectures in film, television and media technologies at Royal Holloway, University of London. His first book, The Zoom: Drama at the Touch of a Lever, was published in 2018. He has also been published in the journals Technology & Culture and the Historical Journal of Film, Radio and Television. John Ellis is a professor at Royal Holloway, University of London. He wrote Visible Fictions (1982), Seeing Things (2000) and Documentary: Witness and Self-Revelation (2012). Between 1982 and 1999 he ran the independent production company Large Door, making documentaries for Channel 4 and the BBC.
Introduction: What is hands on media history?
John Ellis and Nick Hall
Part I: Media Histories
1 Why hands on history matters
John Ellis
2 Bringing the living back to life: what happens when we re-enact the
recent past?
Nick Hall
3 A blind date with the past: transforming television documentary practice
into a research method
Amanda Murphy
4 (De)Habituation Histories: How to re-sensitize media historians
Andreas Fickers and Annie van den Oever
5 (Un)certain Ghosts: Rephotography and Historical Images
Mary Agnes Krell
Part II: User Communities
6 Photography Against the Anthropocene: the Anthotype as a Call for Action
Kristof Vrancken
7 On the Performance of Playback for Dead Media Devices
Matthew Hockenberry and Jason LaRiviere
8 The Archaeology of the Walkman: Audience Perspectives and the Roots of
Mobile Media Intimacy
Marua Punik
9 Extended Play: Hands On with Forty Years of English Amusement Arcades
Alex Wade
10 Enriching 'hands on history' through community dissemination: a case
study of the Pebble Mill Project
Vanessa Jackson
Part III: Labs, Archives, and Museums
11 The Media Archaeology Lab as Platform for Undoing and Reimagining Media
History
Lori Emerson
12 Reflections and Reminiscences: tactile encounters and participatory
research with vintage media technology in the museum
Christian Hviid Mortensen and Lise Kapper
13 A Vision in Bakelite: Exploring the aesthetic, material and operational
potential of the Bush TV22
Elinor Groom
14 Hands on Circuits: Preserving the Semantic Surplus of Circuit-Level
Functionality with Programmable Logic Devices
Fabian Offert
John Ellis and Nick Hall
Part I: Media Histories
1 Why hands on history matters
John Ellis
2 Bringing the living back to life: what happens when we re-enact the
recent past?
Nick Hall
3 A blind date with the past: transforming television documentary practice
into a research method
Amanda Murphy
4 (De)Habituation Histories: How to re-sensitize media historians
Andreas Fickers and Annie van den Oever
5 (Un)certain Ghosts: Rephotography and Historical Images
Mary Agnes Krell
Part II: User Communities
6 Photography Against the Anthropocene: the Anthotype as a Call for Action
Kristof Vrancken
7 On the Performance of Playback for Dead Media Devices
Matthew Hockenberry and Jason LaRiviere
8 The Archaeology of the Walkman: Audience Perspectives and the Roots of
Mobile Media Intimacy
Marua Punik
9 Extended Play: Hands On with Forty Years of English Amusement Arcades
Alex Wade
10 Enriching 'hands on history' through community dissemination: a case
study of the Pebble Mill Project
Vanessa Jackson
Part III: Labs, Archives, and Museums
11 The Media Archaeology Lab as Platform for Undoing and Reimagining Media
History
Lori Emerson
12 Reflections and Reminiscences: tactile encounters and participatory
research with vintage media technology in the museum
Christian Hviid Mortensen and Lise Kapper
13 A Vision in Bakelite: Exploring the aesthetic, material and operational
potential of the Bush TV22
Elinor Groom
14 Hands on Circuits: Preserving the Semantic Surplus of Circuit-Level
Functionality with Programmable Logic Devices
Fabian Offert
Introduction: What is hands on media history?
John Ellis and Nick Hall
Part I: Media Histories
1 Why hands on history matters
John Ellis
2 Bringing the living back to life: what happens when we re-enact the
recent past?
Nick Hall
3 A blind date with the past: transforming television documentary practice
into a research method
Amanda Murphy
4 (De)Habituation Histories: How to re-sensitize media historians
Andreas Fickers and Annie van den Oever
5 (Un)certain Ghosts: Rephotography and Historical Images
Mary Agnes Krell
Part II: User Communities
6 Photography Against the Anthropocene: the Anthotype as a Call for Action
Kristof Vrancken
7 On the Performance of Playback for Dead Media Devices
Matthew Hockenberry and Jason LaRiviere
8 The Archaeology of the Walkman: Audience Perspectives and the Roots of
Mobile Media Intimacy
Marua Punik
9 Extended Play: Hands On with Forty Years of English Amusement Arcades
Alex Wade
10 Enriching 'hands on history' through community dissemination: a case
study of the Pebble Mill Project
Vanessa Jackson
Part III: Labs, Archives, and Museums
11 The Media Archaeology Lab as Platform for Undoing and Reimagining Media
History
Lori Emerson
12 Reflections and Reminiscences: tactile encounters and participatory
research with vintage media technology in the museum
Christian Hviid Mortensen and Lise Kapper
13 A Vision in Bakelite: Exploring the aesthetic, material and operational
potential of the Bush TV22
Elinor Groom
14 Hands on Circuits: Preserving the Semantic Surplus of Circuit-Level
Functionality with Programmable Logic Devices
Fabian Offert
John Ellis and Nick Hall
Part I: Media Histories
1 Why hands on history matters
John Ellis
2 Bringing the living back to life: what happens when we re-enact the
recent past?
Nick Hall
3 A blind date with the past: transforming television documentary practice
into a research method
Amanda Murphy
4 (De)Habituation Histories: How to re-sensitize media historians
Andreas Fickers and Annie van den Oever
5 (Un)certain Ghosts: Rephotography and Historical Images
Mary Agnes Krell
Part II: User Communities
6 Photography Against the Anthropocene: the Anthotype as a Call for Action
Kristof Vrancken
7 On the Performance of Playback for Dead Media Devices
Matthew Hockenberry and Jason LaRiviere
8 The Archaeology of the Walkman: Audience Perspectives and the Roots of
Mobile Media Intimacy
Marua Punik
9 Extended Play: Hands On with Forty Years of English Amusement Arcades
Alex Wade
10 Enriching 'hands on history' through community dissemination: a case
study of the Pebble Mill Project
Vanessa Jackson
Part III: Labs, Archives, and Museums
11 The Media Archaeology Lab as Platform for Undoing and Reimagining Media
History
Lori Emerson
12 Reflections and Reminiscences: tactile encounters and participatory
research with vintage media technology in the museum
Christian Hviid Mortensen and Lise Kapper
13 A Vision in Bakelite: Exploring the aesthetic, material and operational
potential of the Bush TV22
Elinor Groom
14 Hands on Circuits: Preserving the Semantic Surplus of Circuit-Level
Functionality with Programmable Logic Devices
Fabian Offert