Andere Kunden interessierten sich auch für
![Der Filmproduzent Ludwig Waldleitner]( "Der Filmproduzent Ludwig Waldleitner")
Der Filmproduzent Ludwig Waldleitner81,70 €![Josef Koudelka: The Making of Exiles]( "Josef Koudelka: The Making of Exiles")
Josef Koudelka: The Making of Exiles54,99 €![Bruce Gilden: Haiti]( "Bruce Gilden: Haiti")
Bruce Gilden: Haiti46,99 €![Baldwin Lee]( "Baldwin Lee")
Baldwin Lee62,99 €![Hal Fischer: The Gay Seventies]( "Hal Fischer: The Gay Seventies")
Hal Fischer: The Gay Seventies34,99 €![Shunk-Kender: Art Through the Eye of the Camera]( "Shunk-Kender: Art Through the Eye of the Camera")
Shunk-Kender: Art Through the Eye of the Camera54,99 €![The Comet]( "The Comet")
The Comet58,99 €
These beautiful, unsettling and playful photographs show how certain sci-fi tropes--from digital servants to sex robots--have been consistently gendered as female The latest photobook from Brooklyn-based photographer Hannah Whitaker (born 1980) imagines the embodied forms of personified technology which have long been central to sci-fi narratives: digital servants, sex robots, machine-learning projects. Ursula addresses the consistency with which these figures are gendered as female, subservient and sexualized, and slyly points to our society's insidious failures to fully see women without imposing such roles and distinctions. Immersed in techno-futuristic design tropes, Whitaker's photographs--at once playful, maximalist and estranging--are accompanied by texts by David Levine and Dawn Chan.