Hard Hats, Rednecks, and Macho Men examines a wide range of American films from the 1970s and argues that their persistent depictions of white, working-class masculinity provided a powerful class fantasy, one that spoke to middle-class anxieties provoked by the period's social and political upheavals. Drawing on iconic films from the era -- Saturday Night Fever, Looking for Mr. Goodbar, Walking Tall, and Five Easy Pieces, among others -- Nystrom presents an incisive, evocative study of labor, class, and American cinema in the wake of Vietnam, women's and gay liberation, the rise of the New Right, and other events that defined the decade.…mehr
Hard Hats, Rednecks, and Macho Men examines a wide range of American films from the 1970s and argues that their persistent depictions of white, working-class masculinity provided a powerful class fantasy, one that spoke to middle-class anxieties provoked by the period's social and political upheavals. Drawing on iconic films from the era -- Saturday Night Fever, Looking for Mr. Goodbar, Walking Tall, and Five Easy Pieces, among others -- Nystrom presents an incisive, evocative study of labor, class, and American cinema in the wake of Vietnam, women's and gay liberation, the rise of the New Right, and other events that defined the decade.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Derek Nystrom was educated at the University of Wisconsin and the University of Virginia. He has published essays in Cinema Journal and Postmodern Culture, and co-authored, with Kent Puckett, Against Bosses, Against Oligarchies: A Conversation with Richard Rorty. He teaches film and cultural studies in the English Department of McGill University.
Inhaltsangabe
* Acknowledgments * Preface * Introduction: Making Class Visible to Film and Cultural Studies * Part One: Hard Hats and Movie Brats * 1: Class and the Youth-Cult Cycle * Part Two: Rednecks and Good Ole Boys: The Rise of the Southern * 2: Deliverance: An Allegory of the Sunbelt * 3: Keep On Truckin': The Southern Cycle and the Invention of the Good Ole Boy * Part Three: Macho Men and the New Nightlife Film * 4: Saturday Night Fever and the Queering of the White, Working-Class Male Body * 5: Extra Masculinity: Looking for (and Cruising) the White, Working-Class Male Body * Conclusion: Working-Class Solidarity and its Others * Afterword: Hard Hats Revisited: The Labor of 9/11 * Endnotes * Works Cited * Index
* Acknowledgments * Preface * Introduction: Making Class Visible to Film and Cultural Studies * Part One: Hard Hats and Movie Brats * 1: Class and the Youth-Cult Cycle * Part Two: Rednecks and Good Ole Boys: The Rise of the Southern * 2: Deliverance: An Allegory of the Sunbelt * 3: Keep On Truckin': The Southern Cycle and the Invention of the Good Ole Boy * Part Three: Macho Men and the New Nightlife Film * 4: Saturday Night Fever and the Queering of the White, Working-Class Male Body * 5: Extra Masculinity: Looking for (and Cruising) the White, Working-Class Male Body * Conclusion: Working-Class Solidarity and its Others * Afterword: Hard Hats Revisited: The Labor of 9/11 * Endnotes * Works Cited * Index
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