Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music, edited by Eric James Abbey and Colin Helb, is a collection of writings on music that is considered aggressive throughout the world. This collection reflects the importance of aggressive music within our society and how this music effects and informs contemporary issues.
Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music, edited by Eric James Abbey and Colin Helb, is a collection of writings on music that is considered aggressive throughout the world. This collection reflects the importance of aggressive music within our society and how this music effects and informs contemporary issues.
Eric Abbey is a professor of English and literature at Oakland Community College in Michigan. He is the author of Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality. Colin Helb is an assistant professor of communications at Elizabethtown College in Pennsylvania. His research focuses on issues of identity and culture in semiprofessional and localized music scenes.
Inhaltsangabe
Foreword Acknowledgments Introduction Chapter 1: Food For Thought: On Sid Vicious s Cannibalization of My Way Evan Ware Chapter 2: Let the Shillelagh Fly: The Dropkick Murphys and Irish-American Hybridity Sean Ahern Chapter 3: Am I Evil? The Meaning of Metal Lyrics to its Fans Mika Elovaara Chapter 4: By Demons Be Driven? Scanning `Monstrous Voices Marcus Erbe Chapter 5: Heavy Metal Music in the Caribbean Setting: Politics and Language at the Periphery Nelson Varas-Diaz, Eliut Rivera-Segarra Chapter 6: No Fun: Noise Music, Avant-garde Aggression, and Sonic Punishment Ross Hagan Chapter 7: The Last Report: Throbbing Gristle and Audio Extremes Brian Cogan Chapter 8: Black Metal Soul Music: Stone Vengeance and the Aesthetics of Race in Heavy Metal. Kevin Fellezs Chapter 9: The Time is Right to Set Our Sight on Salvation : The Strange Tale of How the Hare Krishnas Came To Play Hardcore Punk Colin Helb Chapter 10: The Cult of Hellmouth: The Success of Contemporary Hardcore Eric James Abbey Afterword Bibliography Contributors Index
Foreword Acknowledgments Introduction Chapter 1: Food For Thought: On Sid Vicious s Cannibalization of My Way Evan Ware Chapter 2: Let the Shillelagh Fly: The Dropkick Murphys and Irish-American Hybridity Sean Ahern Chapter 3: Am I Evil? The Meaning of Metal Lyrics to its Fans Mika Elovaara Chapter 4: By Demons Be Driven? Scanning `Monstrous Voices Marcus Erbe Chapter 5: Heavy Metal Music in the Caribbean Setting: Politics and Language at the Periphery Nelson Varas-Diaz, Eliut Rivera-Segarra Chapter 6: No Fun: Noise Music, Avant-garde Aggression, and Sonic Punishment Ross Hagan Chapter 7: The Last Report: Throbbing Gristle and Audio Extremes Brian Cogan Chapter 8: Black Metal Soul Music: Stone Vengeance and the Aesthetics of Race in Heavy Metal. Kevin Fellezs Chapter 9: The Time is Right to Set Our Sight on Salvation : The Strange Tale of How the Hare Krishnas Came To Play Hardcore Punk Colin Helb Chapter 10: The Cult of Hellmouth: The Success of Contemporary Hardcore Eric James Abbey Afterword Bibliography Contributors Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
