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An analysis of the intersection of science and music in nineteenth-century Germany: how music provided physicists with a venue for experiments as well as a cultural resource, and how physics assisted musicians in their art and musical instrument makers in their craft.

Produktbeschreibung
An analysis of the intersection of science and music in nineteenth-century Germany: how music provided physicists with a venue for experiments as well as a cultural resource, and how physics assisted musicians in their art and musical instrument makers in their craft.
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Autorenporträt
Myles W. Jackson is Professor of the History of Science, Director of Science Studies, and Chair of Humanities at Willamette University. He is the author of Spectrum of Belief: Joseph von Fraunhofer and the Craft of Precision Optics (MIT Press, 2000), which was winner of the Paul-Bunge-Prize of the German Chemical Society in 2005 for an outstanding contribution to the study of scientific instruments.