Harmony in Mendelssohn and Schumann - Damschroder, David (University of Minnesota)
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Presents a radical reformulation of harmonic theory and analysis, using sound files as well as notated music examples. Early chapters guide readers in developing a new and practical perspective on harmony, and later chapters explore particular nineteenth-century compositions in comparison with other analysts' work.

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Produktbeschreibung
Presents a radical reformulation of harmonic theory and analysis, using sound files as well as notated music examples. Early chapters guide readers in developing a new and practical perspective on harmony, and later chapters explore particular nineteenth-century compositions in comparison with other analysts' work.
Autorenporträt
David Damschroder is Professor of Music Theory at the University of Minnesota. His research focuses on harmony in tonal music, a project that began with a careful examination of historical analytical practices, the basis for his Thinking about Harmony: Historical Perspectives on Analysis (Cambridge, 2008). He has since published studies on harmony in selected composers including Haydn, Mozart, Beethoven, Schubert, and Chopin, and he is the author of Tonal Analysis: A Schenkerian Perspective (2017).