David Damschroder is Associate Professor of Music Theory at the University of Minnesota School of Music, where he teaches a range of courses devoted to the analysis of eighteenth- and nineteenth-century music, the repertoire that also serves as the focus for his scholarly writings and performance activities on fortepiano. His previous books include Thinking about Harmony: Historical Perspectives on Analysis, Music Theory from Zarlino to Schenker, Listen and Sing, and Foundations of Music and Musicianship.
Inhaltsangabe
Preface Part I. Methodological Orientation: 1. Harmonic progression 2. Linear progression 3. Common prolongations and successions 4. Chords built on bII, on III, and from the parallel key Part II. Masterpieces: 5. 'Ganymed' (D. 544) 6. Quintet in A Major ('Trout', D. 667), movement 1 7. Symphony in B Minor ('unfinished', D. 759), movement 1 8. Piano Sonata in A Minor (D. 784), movement 2 9. 'Die junge Nonne' (D. 828) 10. Four Impromptus (D. 899) 11. 'Auf dem Flusse' from Winterreise (D. 911, No. 7) 12. Piano Sonata in B flat Major (D. 960), movement 1 Epilogue Bibliography.
Preface Part I. Methodological Orientation: 1. Harmonic progression 2. Linear progression 3. Common prolongations and successions 4. Chords built on bII, on III, and from the parallel key Part II. Masterpieces: 5. 'Ganymed' (D. 544) 6. Quintet in A Major ('Trout', D. 667), movement 1 7. Symphony in B Minor ('unfinished', D. 759), movement 1 8. Piano Sonata in A Minor (D. 784), movement 2 9. 'Die junge Nonne' (D. 828) 10. Four Impromptus (D. 899) 11. 'Auf dem Flusse' from Winterreise (D. 911, No. 7) 12. Piano Sonata in B flat Major (D. 960), movement 1 Epilogue Bibliography.
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