The 1903 sixteenth, substantially revised edition of the Victorian music scholar Prout's classic text on harmony, first published in 1889.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Preface to the first edition Preface to the sixteenth edition 1. Introduction 2. Key, or tonality 3. The general laws of part-writing 4. The diatonic triads of the major key 5. The diatonic triads of the major key (continued) 6. The inversions of the triads of a major key 7. The minor key: its diatonic triads and their inversions 8. The chord of the dominant seventh 9. Key relationships - modulation to nearly related keys - false relations 10. Unessential discords (I) - auxiliary notes, passing notes, and anticipation 11. Unessential discords (II) - suspensions 12. The chord of the dominant ninth 13. The chord of the dominant eleventh 14. The chord of the dominant thirteenth 15. Chromatic triads - the chromatic scale 16. Chromatic chords of the seventh 17. Chromatic chords of the ninth - false notation - enharmonic modulation 18. Chromatic chords of the eleventh and thirteenth 19. The chord of the augmented sixth 20. Pedals 21. Harmony in fewer and more than four parts Appendix A. The ecclesiastical modes Appendix B. The harmonic series Analytical key to the exercises in the sixteenth and subsequent editions of Harmony: Its Theory and Practice.
Preface to the first edition Preface to the sixteenth edition 1. Introduction 2. Key, or tonality 3. The general laws of part-writing 4. The diatonic triads of the major key 5. The diatonic triads of the major key (continued) 6. The inversions of the triads of a major key 7. The minor key: its diatonic triads and their inversions 8. The chord of the dominant seventh 9. Key relationships - modulation to nearly related keys - false relations 10. Unessential discords (I) - auxiliary notes, passing notes, and anticipation 11. Unessential discords (II) - suspensions 12. The chord of the dominant ninth 13. The chord of the dominant eleventh 14. The chord of the dominant thirteenth 15. Chromatic triads - the chromatic scale 16. Chromatic chords of the seventh 17. Chromatic chords of the ninth - false notation - enharmonic modulation 18. Chromatic chords of the eleventh and thirteenth 19. The chord of the augmented sixth 20. Pedals 21. Harmony in fewer and more than four parts Appendix A. The ecclesiastical modes Appendix B. The harmonic series Analytical key to the exercises in the sixteenth and subsequent editions of Harmony: Its Theory and Practice.
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