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Harry Callahan
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Harry Callahan (19121999) was one of the most influential American photographers of the second half of the twentieth century. Callahan’s highly original oeuvre involved a wide-ranging exploration of photographic techniques including experimentation with exposures, a strong sense of line and form, and light and darkness. A crucial addition to Callahan’s critical presence and leading to a deeper understanding of the photographer’s greater impact on the techniques and styles of modern photography, Harry Callahan: The Street explores the artist’s lesser-known works, focusing on his black-and-white…mehr

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Produktbeschreibung
Harry Callahan (19121999) was one of the most influential American photographers of the second half of the twentieth century. Callahan’s highly original oeuvre involved a wide-ranging exploration of photographic techniques including experimentation with exposures, a strong sense of line and form, and light and darkness. A crucial addition to Callahan’s critical presence and leading to a deeper understanding of the photographer’s greater impact on the techniques and styles of modern photography, Harry Callahan: The Street explores the artist’s lesser-known works, focusing on his black-and-white and colour street photographs. Bringing together documentary work, still life and staged photographsmany of his wife, whom he photographed throughout his lifethis important review sheds new light on Callahan’s personal and pioneering approach.
Autorenporträt
Harry Callahan (1912-1999) was one of the most influential photographic artists of the twentieth century. A master of modernist experimentation, Callahan explored a range of subjects--from landscapes to city streets to portraits of his wife--and techniques throughout his career. Grant Arnold is currently Audain Curator of British Columbia Art at the Vancouver Art Gallery where he contributes to the gallery’s exhibition and collecting programs. His writing has appeared in exhibition catalogues, books and journals. He is currently working exhibitions of work by Myfanwy MacLeod, Jerry Pethick and John Vanderpant. John Pultz is an art historian, curator, and critic. He holds a Ph.D. from the Institute of Fine Arts at New York University. He currently teaches art history at the University of Kansas. He has worked as a curator of photography and curatorial consultant at the Spencer Museum of Art at the University of Kansas; The Museum of Modern Art, New York; The J. Paul Getty Museum; and the Denver Art Museum.