Hart Crane's Queer Modernist Aesthetic argues that the aspects of experience which modernists sought to interrogate - time, space, and material things - were challenged further by Crane's queer poetics. Reading Crane alongside contemporary queer theory shows how he creates an alternative form of modernism.
Hart Crane's Queer Modernist Aesthetic argues that the aspects of experience which modernists sought to interrogate - time, space, and material things - were challenged further by Crane's queer poetics. Reading Crane alongside contemporary queer theory shows how he creates an alternative form of modernism.
Niall Munro is Senior Lecturer in American Literature at Oxford Brookes University, UK.
Inhaltsangabe
Introduction: Relationality 1. American Decadence and the Creation of a Queer Modernist Aesthetic 2. Abstraction and Intersubjectivity in White Buildings 3. Spatiality, Movement, and the Logic of Metaphor 4. Temporality, Futurity, and the Body 5. Empiricism, Mysticism, and a Queer Form of Knowledge 6. Queer Technology, Failure, and a Return to the Hand Conclusion: Towards a Queer Community Notes Bibliography Index
Introduction: Relationality 1. American Decadence and the Creation of a Queer Modernist Aesthetic 2. Abstraction and Intersubjectivity in White Buildings 3. Spatiality, Movement, and the Logic of Metaphor 4. Temporality, Futurity, and the Body 5. Empiricism, Mysticism, and a Queer Form of Knowledge 6. Queer Technology, Failure, and a Return to the Hand Conclusion: Towards a Queer Community Notes Bibliography Index
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