Mauritian culture is too often known in the West for the dodo: an extinct, flightless bird who inhabited the island and died out during European colonisation. It is time to move forward and ensure our robust yet marginalised culture houses and projects all the diverse individual voices within it. HAUNT (THE KOOLIE) is poetry; a neo-Coolie meditation, exorcism of racial bigotry and satire of fear-mongering, from a decolonial Mauritian-Australian perspective. Suburban mainstream yachts grow, giant weeds in driveways, outlaw gutter trophies, never seem to Like! Find water? But: I am Black enough…mehr
Mauritian culture is too often known in the West for the dodo: an extinct, flightless bird who inhabited the island and died out during European colonisation. It is time to move forward and ensure our robust yet marginalised culture houses and projects all the diverse individual voices within it. HAUNT (THE KOOLIE) is poetry; a neo-Coolie meditation, exorcism of racial bigotry and satire of fear-mongering, from a decolonial Mauritian-Australian perspective. Suburban mainstream yachts grow, giant weeds in driveways, outlaw gutter trophies, never seem to Like! Find water? But: I am Black enough to hold the Whiteness in me on me and @-me, account without counting a graceless film-fade into seething light hide colour, enlighten or die settling, whiny-rewind VHS scores (At Aussie, we'll save you!)Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
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Autorenporträt
Jason Gray is a Mauritian-Australian writer who has lived mainly in North-West and South-West Sydney, and writes towards and about youth, being Xennial/Millennial, bi-cultural and a Person of Colour, pop culture and forms of media, toxic/White patriarchal and restorative/progressive masculinity, anti-racism, anti-colonialism, displacement, suburbia, home and staying kind in this late (anti-)capitalist hellscape. Twitter @jasongray85
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