"This book shows that Gothic elements in Russian literature (the themes of horror, medieval barbarity, darkness, and transgression) frequently expressed deep-set anxieties about the Russian imperial and national identity"--
"This book shows that Gothic elements in Russian literature (the themes of horror, medieval barbarity, darkness, and transgression) frequently expressed deep-set anxieties about the Russian imperial and national identity"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
NIU Series in Slavic, East European, and Eurasian Studies
Valeria Sobol is Associate Professor of Slavic Languages and Literatures at the University of Illinois, Urbana-Champaign. She is the author of Febris Erotica and a coeditor of Interpreting Emotions in Russia and Eastern Europe.
Inhaltsangabe
Introduction: From the Island of Bornholm to Taman: The Literary Trajectory of the Russian Imperial Uncanny Part I: The North 1. A Gothic Prelude: Nikolai Karamzin's "The Island of Bornholm" 2. In Search of the Russian Middle Ages: The Livonian Tales of the 1820s 3. "Gloomy Finland" and Russian Gothic Tales of Assimilation Part II: The South 4. Ukraine: Russia's Uncanny Double 5. On Mimicry and Ukrainians: Empire and the Gothic in Antonii Pogorelsky's The Convent Graduate 6. 'Tis Eighty Years Since: Panteleimon Kulish's Gothic Ukraine
Introduction: From the Island of Bornholm to Taman: The Literary Trajectory of the Russian Imperial Uncanny Part I: The North 1. A Gothic Prelude: Nikolai Karamzin's "The Island of Bornholm" 2. In Search of the Russian Middle Ages: The Livonian Tales of the 1820s 3. "Gloomy Finland" and Russian Gothic Tales of Assimilation Part II: The South 4. Ukraine: Russia's Uncanny Double 5. On Mimicry and Ukrainians: Empire and the Gothic in Antonii Pogorelsky's The Convent Graduate 6. 'Tis Eighty Years Since: Panteleimon Kulish's Gothic Ukraine
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