Haunted Soundtracks

Audiovisual Cultures of Memory, Landscape, and Sound
Herausgeber: Donnelly, Kevin J; Rogers, Holly; Perrott, Lisa; Mollaghan, Aimee; Vernallis, Carol

• Broschiertes Buch

Produktbeschreibung

"An examination of the relationship between audiovisual soundtracks and the "sonic haunting" of trauma, anxiety, and nostalgia"--

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Produktdetails

• Verlag: Bloomsbury Academic
• Seitenzahl: 224
• Erscheinungstermin: 29. Mai 2025
• Englisch
• Abmessung: 229mm x 152mm x 25mm
• Gewicht: 454g
• ISBN-13: 9781501389597
• ISBN-10: 1501389599
• Artikelnr.: 70957778

Autorenporträt

K.J. Donnelly is Professor of Film and Film Music at the University of Southampton, UK. He is author of The Shining (2018), Magical Musical Tour: Rock and Pop in Film Soundtracks (2015), Occult Aesthetics: Sound and Image Synchronization (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001), co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012), co-editor (with Will Gibbons and Neil Lerner) of Music in Video Games: Studying Play (2014), co-edited with Ann-Kristin Wallengren, Today's Sounds for Yesterday's Films: Making Music for Silent Cinema (2016), co-edited with Steve Rawle, Hitchcock and Herrmann: Partners in Suspense (2017) and co-edited with Beth Carroll, Contemporary Musical Films (2018). He is series editor for the 'Music and the Moving Image' and 'Palgrave Studies in Audio-Visual Culture' and is on the editorial boards of seven journals. Aimee Mollaghan is subject lead for Film at Queen's University, Belfast, UK. Prior to this she was a Senior Lecturer at Edge Hill University, UK. She is the author of The Visual Music Film (Palgrave, 2015). Her current research is centred on psychogeography, landscape and soundscape in contemporary cinema and artist's film.

Inhaltsangabe

1. Introduction K.J. Donnelly (University of Southampton, UK) and Aimée
Mollaghan (Queen's University, Belfast, UK) 2. What wind in what trees?
Listening to Blow-Up (1966) Paul Newland (Worcester University, UK) 3.
Imaginal Space and the Occult Soundtrack in Guy Maddin's Keyhole (2011)
Daniel Bishop (Indiana University, USA) 4. The Haunted and the Medium K.J.
Donnelly (University of Southampton, UK) 5. Producing Paranormal Sounds:
the BBC Radiophonic Workshop, The Legend of Hell House (1973) and The Stone
Tape (1972) Jamie Sexton (University of Northumbria, UK) 6. Cries and
Whispers: Inner Time, Landscape and Sound in the Television Adaptations of
Alan Garner Craig Wallace (Queen's University, Belfast, UK) 7. Concrète
Spaces: Musique Concrète in Gus van Sant's Elephant (2003) and Paranoid
Park (2007) Jessica Shine (Munster Technological University, Ireland) 8.
Arctic Noir and Acoustic Terror: Sounding Uncanny Landscapes of Crime Lisa
Coulthard (University of British Columbia, Canada) 9. Acoustic Ghosts and
Haunted Landscapes in Contemporary British Landscape Cinema Aimée Mollaghan
(Queen's University, Belfast, UK) 10. The Trajectory of Death: Justin
Kurzel's Screen Adaptation of Shakespeare's Macbeth (2015) Danijela
Kulezic-Wilson (University College Cork, Ireland) 11. Haunted Folk:
Spectres of the Analogue in Annihilation (2018) John McGrath (University of
Surrey, UK) 12. Sonic Novelty and Conceptual Obscurity: Music, Landscape
and Enigma in Picnic at Hanging Rock (Peter Weir, 1975) Jady Jiang
(University of Southampton, UK) 13. Outside Inside: Nature, Gender and the
Altered Domestic Space in Possum (1997) and Nature's Way (2006) Andrea
Wright (Edge Hill University, UK) Index