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In this persuasive study, Tracy McMullen draws on philosophy, psychology, musicology, performance studies, and popular music studies in order to analyze the rise of obsessively precise live musical reenactments in the United States at the turn of the millennium.

Produktbeschreibung
In this persuasive study, Tracy McMullen draws on philosophy, psychology, musicology, performance studies, and popular music studies in order to analyze the rise of obsessively precise live musical reenactments in the United States at the turn of the millennium.
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Autorenporträt
TRACY MCMULLEN is a saxophonist, composer, and associate professor of American vernacular music at Bowdoin College.