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This book uses one of the most important features of the black gospel song-a repetitive musical cycle known as the vamp-to illuminate this tradition's powerful combination of sound and belief. Combining resources from music studies, religious studies, and cultural studies, the book shows how the immediacy of musical sound brings black Christians into meaningful contact with the invisible subjects of their beliefs. The deeply embodied ways believers engage gospel music, then, evidence the transcendent work gospel songs are used to do.

Produktbeschreibung
This book uses one of the most important features of the black gospel song-a repetitive musical cycle known as the vamp-to illuminate this tradition's powerful combination of sound and belief. Combining resources from music studies, religious studies, and cultural studies, the book shows how the immediacy of musical sound brings black Christians into meaningful contact with the invisible subjects of their beliefs. The deeply embodied ways believers engage gospel music, then, evidence the transcendent work gospel songs are used to do.
Autorenporträt
Minister, musician, and musicologist, Braxton D. Shelley is an assistant professor in the Department of Music at Harvard University, and the Stanley A Marks and William H Marks Assistant Professor in Harvard's Radcliffe Institute for Advanced Study. After earning a BA in Music and History from Duke University, Shelley received his PhD in the History and Theory of Music at the University of Chicago. Alongside his scholarly and practical investment in African American gospel music, Shelley's research and critical interests extend into media studies, sound studies, phenomenology, homiletics, and theology.