Bach's surviving passions are an essential part of the modern repertory. These large, complex pieces are well loved, but behind these familiar passion settings lurk questions and problems that emerge from our distance from their original context. Bach scholar Daniel Melamed provides unique insight into Bach's passion settings. Hearing Bach's Passions uses the Bach repertory to introduce readers to some of the intriguing issues in the study and performance of older music, and explores what it means to listen to this music today.
Bach's surviving passions are an essential part of the modern repertory. These large, complex pieces are well loved, but behind these familiar passion settings lurk questions and problems that emerge from our distance from their original context. Bach scholar Daniel Melamed provides unique insight into Bach's passion settings. Hearing Bach's Passions uses the Bach repertory to introduce readers to some of the intriguing issues in the study and performance of older music, and explores what it means to listen to this music today.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Daniel R. Melamed is Associate Professor of Music at the School of Music, Indiana University. He is the author of J. S. Bach and the German Motet, co-author (with Michael Marissen) of An Introduction to Bach Studies, editor of Bach Studies 2, and has published articles, reviews and musical editions on J. S. Bach and members of the Bach family. He serves as associate editor of the Journal of Musicology and was vice president of the American Bach Society.
Inhaltsangabe
List of Tables Introduction: Hearing the Passions in Bach's Time and Ours Part I Performing Forces and Their Significance Chapter 1. Vocal Forces in Bach's Passions Chapter 2. Singers and Roles in Bach's Passions Part II Passions in Performance Chapter 3. The Double Chorus in the St. Matthew Passion BWV 224 Chapter 4. Which St. John Passion BWV 245? Chapter 5. A St. Mark Passion Makes the Rounds Part III Phantom Passions Chapter 6. Parody and Reconstruction: The St. Mark Passion BWV 247 Chapter 7. Bach/Not Bach: The Anonymous St. Luke Passion BWV 246 Epilogue: Listening to Bach's Passions Today Appendix: Tables Suggestions for Further Reading and Listening Index
List of Tables Introduction: Hearing the Passions in Bach's Time and Ours Part I Performing Forces and Their Significance Chapter 1. Vocal Forces in Bach's Passions Chapter 2. Singers and Roles in Bach's Passions Part II Passions in Performance Chapter 3. The Double Chorus in the St. Matthew Passion BWV 224 Chapter 4. Which St. John Passion BWV 245? Chapter 5. A St. Mark Passion Makes the Rounds Part III Phantom Passions Chapter 6. Parody and Reconstruction: The St. Mark Passion BWV 247 Chapter 7. Bach/Not Bach: The Anonymous St. Luke Passion BWV 246 Epilogue: Listening to Bach's Passions Today Appendix: Tables Suggestions for Further Reading and Listening Index
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