Anahid Kassabian

Hearing Film

Tracking Identifications in Contemporary Hollywood Film Music

• Gebundenes Buch

Produktbeschreibung

Hearing Film offers the first critical examination of music in the films of the 1980s and 1990s and looks at the burgeoning role of compiled scores in the shaping of a film. Also includes 11 musical examples.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 200
• Erscheinungstermin: 5. Dezember 2000
• Englisch
• Abmessung: 236mm x 158mm x 21mm
• Gewicht: 431g
• ISBN-13: 9780415928533
• ISBN-10: 0415928532
• Artikelnr.: 21780240

Autorenporträt

Anahid Kassabian is Director of Postgraduate Research in the School of Music at the University of Liverpool, James and Constance Alsop Chair, and Editor of Music, Sound, and the Moving Image. She coedited the book Keeping Score: Music, Disciplinarity,Culture (1997) and has written numerous articles and book chapters on popular music, film music and feminist theory.

Inhaltsangabe

Table of Contents: Acknowledgments Listen for Identifications: A Prologue
1. How Film Music Works 2. How Music Works in Film 3. A Woman Scored 4. At
the Twilight's Last Scoring 5. Opening Scores Tracking Identifications: An
Epilogue Appendices Works Cited Videos Cited Endnotes Index

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Table of Contents: Acknowledgments Listen for Identifications: A Prologue 1. How Film Music Works 2. How Music Works in Film 3. A Woman Scored 4. At the Twilight's Last Scoring 5. Opening Scores Tracking Identifications: An Epilogue Appendices Works Cited Videos Cited Endnotes Index

Rezensionen

'Refreshing in dealing with films of the 1980s and 1990s. It is also relatively rare to find film music books that seriously explore scores that rely to a large extent on popular music tracks. Hearing Film is a useful volume.' - Senses of Cinema

'No longer an esoteric domain limited to a few specialists, the world of film sound tracks has finally come into its own, thanks to books like Anahid Kassabian's Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. Turning her attention from the (traditional, male, European) realm of classical Hollywood composers to the (contemporary, female, American) sphere of music supervisors and compiled scores, Kassabian brilliantly shows how contemporary film music anchors a gendered identification process. Hearing Film is not just first-rate scholarship, it's exciting reading!' - Rick Altman, University of Iowa Professor of Cinema and Comparative Literature

'Refreshing in dealing with films of the 1980s and 1990s. It is also relatively rare to find film music books that seriously explore scores that rely to a large extent on popular music tracks. Hearing Film is a useful volume.' - Senses of Cinema

'No longer an esoteric domain limited to a few specialists, the world of film sound tracks has finally come into its own, thanks to books like Anahid Kassabian's Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. Turning her attention from the (traditional, male, European) realm of classical Hollywood composers to the (contemporary, female, American) sphere of music supervisors and compiled scores, Kassabian brilliantly shows how contemporary film music anchors a gendered identification process. Hearing Film is not just first-rate scholarship, it's exciting reading!' - Rick Altman, University of Iowa Professor of Cinema and Comparative Literature